He thought against Napoleon, in both senses of the word. See how fruitful resentment can be, and how it can make one - René Girard

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He thought against Napoleon, in both senses of the word. See how fruitful resentment can be, and how it can make one

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About René Girard

René Girard (December 25, 1923 – November 4, 2015) was a French historian, literary critic, and philosopher of social science. His work belongs to the tradition of anthropological philosophy.

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Also Known As

Alternative Names: Rene Girard René Noël Théophile Girard
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Additional quotes by René Girard

"The individual who "adjusts" has managed to relegate the two contradictory injunctions of the double bind - to imitate and not to imitate - to two different domains of application. That is, he divides reality in such a way as to neutralize the double bind. This is precisely the procedure of primitive cultures. At the origin of any individual or collective "adjustment" lies concealed a certain arbitrary violence. The well-adjusted person is thus one who conceals his violent impulses and condones the collective's concealment of them. The "maladjusted" individual cannot tolerate this concealment. "Mental illness" and rebellion, like the sacrificial crisis they resemble, commit the individual to falsehoods and to forms of violence that are certainly more damaging to him than the disguised violence channeled through sacrificial rites but that bring him closer to the heart of the enigma. Many psychic catastrophes misunderstood by the psychoanalyst result from an inchoate, obstinate reaction against the violence and falsehood found in any human society"

"Ogni mediazione proietta un suo miraggio; i miraggi si susseguono come altrettante "verità" che subentrino alle verità anteriori come una vera e propria uccisione del ricordo vivente e si proteggano dalle verità future con una censura implacabile dell'esperienza quotidiana. Marcel Proust chiama "Io" i "mondi" proiettati dalle successive mediazioni. Gli Io sono perfettamente isolati gli uni dagli altri, incapaci di rammentarsi degli Io passati o di presagire gli Io futuri."

It was Plato who determined once and for all the cultural meaning of imitation, but this meaning is truncated, torn from the essential dimension of acquisitive behavior, which is also the dimension of conflict. If the behavior of certain higher animals, particularly the apes, seems to foreshadow human behavior, it does so almost exclusively, perhaps, because the role of acquisitive mimesis is so important in their behavior, although it is not as central as it is for the human being. If one ape observes another reach for an object, it is immediately tempted to imitate the gesture. It also happens that the animal visibly resists the temptation, and if the imitative gesture amuses us by reminding us of human beings, the failure to complete it, that is to say the repression of what already can be nearly defined as a desire, amuses us even more. It makes the animal a sort of brother to us by showing it subject to the same fundamental rule as humanity—that of preventing conflict, which the convergence of two or several avid hands toward one and the same object cannot help but provoke.

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