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If you take a glass bottle and toss it up into the air so that when it hits the earth it shatters against the ground, and then you take the shards and glue them back together in the shape of a bird, then you no longer have a bottle, you’ve made something new. Any parts of my personal history I use in my fiction are only interesting to me as the rawest of raw material that I’m shaping into the form of a bird.
Take an orange and draw something on it -- say, a human face. Now carefully remove the peel, trying to keep it in one piece, and flatten it against your kitchen table. You'll see that in making a two-dimensional object out of a round one, something has to give. Either the face gets distorted and looks all 'mushed out,' or in flattening the peel, it breaks into segments, dividing the face as well into several parts. A cartographer chooses between a series of those kind of lesser-of-two-evils alternatives.
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