"She used to come home alone at two in the morning. When I asked if she wasn't afraid of sexual maniacs, she told me her method. When a sexual maniac… - Umberto Eco

"She used to come home alone at two in the morning. When I asked if she wasn't afraid of sexual maniacs, she told me her method. When a sexual maniac approached, threatening, she would take his arm and say, "Come on, let's do it." And he would go away, bewildered.
If you're a sexual maniac, you don't want sex; you want the excitement of its theft, you want the victim's resistance and despair. If sex is handed to you on a platter, here it is, go to it, naturally you're not interested, otherwise what sort of sexual maniac would you bee?"

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About Umberto Eco

Umberto Eco (5 January 1932 – 19 February 2016) was an Italian philosopher, semiotician, essayist, literary critic, and novelist, most famous for his novel The Name of the Rose (1980), an intellectual mystery combining semiotics in fiction, biblical analysis, medieval studies and literary theory.

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Also Known As

Alternative Names: Umberto Ecco Umberto Eccounstino Humberto Eco Dedalus Umberto Eko Oumperto Eko Eco Umberto U. Eco
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Additional quotes by Umberto Eco

امکان دارد انسان غیر مذهبی فکر کند شری که در خفا مرتکب می شود، نادیده می ماند. اما این را نیز به خاطر داشته باشید که اگر انسان غیر مذهبی فکر کند کسی از بالا مواظب او نیست، در عین حال درست به همین دلیل هم می داند کسی او را عفو نخواهد کرد....این شخص به مراتب بیش از دینداران امکان دارد بکوشد با اعتراف در حضور جمع خود را تطهیر کند. این شخص از دیگران طلب عفو خواهد کرد....و به همین دلیل پیشاپیش می داند باید دیگران را ببخشاید

A book is a fragile creature, it suffers the wear of time, it fears rodents, the elements and clumsy hands. so the librarian protects the books not only against mankind but also against nature and devotes his life to this war with the forces of oblivion.

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"It is necessary to create constraints, in order to invent freely. In poetry the constraint can be imposed by meter, foot, rhyme, by what has been called the "verse according to the ear."... In fiction, the surrounding world provides the constraint. This has nothing to do with realism... A completely unreal world can be constructed, in which asses fly and princesses are restored to life by a kiss; but that world, purely possible and unrealistic, must exist according to structures defined at the outset (we have to know whether it is a world where a princess can be restored to life only by the kiss of a prince, or also by that of a witch, and whether the princess's kiss transforms only frogs into princes or also, for example, armadillos)."

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