I am more and more convinced that the future of Haitian literature rests in a broadened set of topics. It cannot deal only with exile, dictatorship a… - Évelyne Trouillot

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I am more and more convinced that the future of Haitian literature rests in a broadened set of topics. It cannot deal only with exile, dictatorship and misery. I want to limit neither the topics nor the manner of approaching them. I think this is the feeling of many Haitian writers. For me, to be a writer today means to appropriate a space for creation even if, and especially when, conditions threaten both existence and the development of art. The writer has the ability to throw new light on reality. In that resides the artist’s power and originality. When a writer turns away from the path that is attributed to him and takes another path to offer an unexpected view, it is literary creation that wins. If one is obligated to write against political repression, one remains under the dictatorship. It is up to each artist to redefine the universe, to resist the preconceived ideas of their homeland, to not hesitate to pry open the vice of this or that set of topics that has been assigned, to find a way to defy the constraints imposed by sociopolitical context, revolutionary consciousness and the vision of others. One must escape every embargo on the imagination to question the world.

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About Évelyne Trouillot

Évelyne Trouillot (born January 2, 1954) is an author and professor who lives in Haiti. She writes in French and Creole.

Also Known As

Alternative Names: Evelyne Trouillot Ménard
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Additional quotes by Évelyne Trouillot

I think that we often tend not to face the pages of our history that upset us. I would have thought that there would be many more texts, many more stories around the Duvalier dictatorship. Generations of men and women were marked by this period. But it’s the same story as for slavery: there is shame in speaking of it, like a wound that one is scared to touch.

I wonder if someday I'll be able to free myself from the forlorn and agonizing shell in which you raised me. When I look at the figure stretched out on the bed, I can't let go of my hostility, because I'm afraid that dejection will take its place and leave me with no defense against despair. (chapter 1 p34)

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