Rough translation of this passage written in French: The body, love, death, these three are just one. For the body, this is the disease and exquisite delight, and this that does die, yes, they are carnal both of them, love and death, and thus their terror and their great magic!

They are both spectacular, life and death.

Verily, love is death, and death is life to come.

Of the rest, nothing further is said, save that lovers love and live and, in due season, as all men must, they also die. And so with Ezail and Chavir who had been Sovaz and Oloru, Azhriaz and Chuz. For such was and is mortal life, mortal death. But for love, who can predict or measure, plot, ascribe, or declare an end. Love is one of the immortals.

Though I am young, and cannot tell
Either what Death or Love is well,
Yet I have heard they both bear darts,
And both do aim at human hearts.
And then again, I have been told
Love wounds with heat, as Death with cold;
So that I fear they do but bring
Extremes to touch, and mean one thing.

As in a ruin we it call
One thing to be blown up, or fall;
Or to our end like way may have
By a flash of lightning, or a wave;
So Love’s inflamèd shaft or brand
May kill as soon as Death’s cold hand;
Except Love’s fires the virtue have
To fight the frost out of the grave.

Love can be a very frightening thing.”
“That is why most great love stories are tragedies.

Carnal apple, Woman filled, burning moon,
dark smell of seaweed, crush of mud and light,
what secret knowledge is clasped between your pillars?
What primal night does Man touch with his senses?
Ay, Love is a journey through waters and stars,
through suffocating air, sharp tempests of grain:
Love is a war of lightning,
and two bodies ruined by a single sweetness.
Kiss by kiss I cover your tiny infinity,
your margins, your rivers, your diminutive villages,
and a genital fire, transformed by delight,
slips through the narrow channels of blood
to precipitate a nocturnal carnation,
to be, and be nothing but light in the dark.

Death is an angel with two faces:
To us he turns
A face of terror, blighting all things fair;
The other burns
With glory of the stars, and love is there.

[These are] not paintings in the usual sense, they are life and death merging in fearful union.

To love the carnal self means to love the body-mind. I cannot abuse my body with alcohol, stress, and self-indulgence and still claim to love my self.

Cruel Love! You bear our death in murderous vials,
filled now with gall, now with your honeyed treasure—
equally fatal all that you ensure,
whether it be the sickness or the cure.

Did you ever, in that wonderland wilderness of adolesence [sic] ever, quite unexpectedly, see something, a dusk sky, a wild bird, a landscape, so exquisite terror touched you at the bone? And you are afraid, terribly afraid the smallest movement, a leaf, say, turning in the wind, will shatter all? That is, I think, the way love is, or should be: one lives in beautiful terror.

Love without knowledge is demonic.

Mortals have always been frightened of the night's velvet embrace and the creatures that walk in it, and yet they find themselves mesmerized by it.