Silvia Moreno-Garcia Quotes

I wish we had more nuanced, complex conversations about books. Why can’t we speak in expansive terms about genre and aesthetics? About mood and texture? About things that fit into categories and the ones that defy them?

I don’t think many people realize what it’s like to be a maid, what it’s like to be poor, and to literally have zero opportunities in life. My great-grandmother was always depending on family taking her in. When she was depressed, she referred to herself as an “arrimada,” which is hard to translate but it’s almost like saying a parasite. She thought she was nothing, a parasite…

I think one of the problems that happens with representations of — well, I’ll say with Mexicans, but in general with Latin Americans — is that we only get one type of story told. In general, the type of story that you get if you’re Latin American and you’re reading something in the English language — because it’s different if you’re reading Spanish fiction — you don’t get any genre fiction at all. The stories that you can tell are very limited. Normally they limit you to the suffering illegal immigrant.

I am partial to quiet, slow, psychologically intricate work.

It’s never as fun seeing the monster as much as imagining.

when we think about Mexican people, when we think about Latin American people. We don’t imagine them having full and interesting lives in the same way that we imagine white people having full and interesting lives. But they did...there’s all these nuances that get lost sometimes when you read these stories about us. And in every story that I write, I want to bring a little bit of that.

Noemí’s father said she cared too much about her looks and parties to take school seriously, as if a woman could not do two things at once.

In my experience, the term magic realism is often overused and stereotypical, spoken without much thought.

Telling is a component of many cultures and it’s certainly present in many classics of Latin American literature. Modern American literature doesn’t seem to value telling as much as it once did or as much as other cultures still do. It’s seen as a sign of gracelessness. But of course, folklore is spoken, and there are benefits of telling rather than showing…

Growing up in Mexico, we didn't have a dividing line between the fantastical and the literary, like you do in Canada, so it bled through. Therefore, my writing bleeds through categories and I enjoy the challenge of changing constantly, like molting out of a book.

There was sadness in her, of course, but she didn't wish to crack like fine china either. She could not wither away. In the world of the living, one must live. And had this not been her wish? To live. Truly live.

People love to classify things as black and white, good or bad, but I’ve seldom met any one who can be neatly defined and classified…

Words are seeds, Casiopea. With words you embroider narratives, and the narratives breed myths, and there's power in the myth. Yes, the things you name have power.

But does it matter what we call Latin American literature? Isn’t a rose by any other name just as sweet? In my experience, it matters because categories create expectations.

when you come to places like Mexico and other states that were colonized, that question of race becomes very interesting because there's obviously a lot of race-mixing going on in these nations. And so it's not the same sort of eugenics that they're handling in Great Britain, where there is this great anxiety about miscegenation. It's a little bit different. It's still highly racist, but it's not exactly the same kind of thought process that is going on. And I just always found it so interesting how Europeans view the colonies as a space of fear, because it is that space where people are coming together and mixing.