My parents had come from Mexico, a short road in my imagination. I felt myself as coming from a caramelized planet, an upside-down planet, pineapple-cratered. Though I was born here, I came from the other side of the looking glass, as did Alice, though not alone like Alice. Downtown I saw lots of brown people. Old men on benches. Winks from Filipinos. Sikhs who worked in the fields were the most mysterious brown men, their heads wrapped in turbans. They were the rose men. They looked like roses.
American journalist and essayist
Richard Rodriguez (born 31 July 1944) Mexican-American writer, associate editor with the Pacific News Service in San Francisco, an essayist for The NewsHour with Jim Lehrer, and a contributing editor for Harper's magazine and the Los Angeles Times.
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The policy of affirmative action, however, was never able to distinguish someone like me (a graduate student of English, ambitious for a college teaching career) from a slightly educated Mexican-American who lived in a barrio and worked as a menial laborer, never expecting a future improved. Worse, affirmative action made me the beneficiary of his conditions.
Roles of pathos were available to boys at my high school, but I eschewed them in favor of a role more akin to Prosecutor, Ironist. I advanced by questions. In some more perfect world, like American Bandstand, I suppose I would have been happier in a sexually integrated high school. I knew how to talk to girls. I had two sisters. And I loved to talk. But early nonsexual female companionship would have come at a price. “Sissy” is the chrysalis of “darling.”
Americans are so individualistic, they do not realize their individualism is a communally derived value. The American I is deconstructed for me by Paolo, an architect who was raised in Bologna: "You Americans are not truly individualistic, you merely are lonely. In order to be individualistic, one must have a strong sense of oneself within a group." (The "we" is a precondition for saying "I.") Americans spend all their lives looking for a community: a chatroom, a church, a support group, a fetish magazine, a book club, a class action suit... illusions become real when we think they are real and act accordingly. Because Americans thought themselves free of plural pronouns, they began to act as free agents, thus to recreate history. Individuals drifted away from tribe or color or 'hood or hometown or card of explanation, where everyone knew who they were... Americans thus extended the American community by acting so individualistically, so anonymously.
One can become overwhelmed on vacation—I have become so—by thinking thoughts that are too large. There is a condition identified in psychology textbooks as the Stendhal syndrome, also called, or related to, the Jerusalem syndrome, that describes a tourist’s overwhelmed response to great works of art or to a sudden apprehension of scale, antiquity, multitude, death—the accompanying fear is of one’s insignificance, but also of squandered opportunity.
It would be another two decades before I came upon the words that made me think I had a story to tell—the opening words of Maxine Hong Kingston’s The Woman Warrior: “You must not tell anyone,” my mother said, “what I am about to tell you.” The immigrant mother’s prohibition to her daughter reminded me of my own mother’s warning about spreading “family secrets.” In the face of California’s fame for blatancy—in the face of pervasive light, ingenuousness, glass-and-aluminum housing, bikinis, billboards—Mrs. Hong recommended concealment.
At the dawn of a worldwide religious war that Americans prefer to name a war against terror, I feel myself drawn to Islam, drawn to read the Koran, even to kiss the Koran—melodramatically, but sincerely—as I did one evening recently in front of a university audience. I meant to honor Islam. I meant to convey that, as a Christian, I consider myself a loving brother to the Muslim, as I am to the Jew, by the favor of Father Abraham.
After all that Richard Nixon had written about how hard work wins the day in America, finally it was Nixon who arranged for me to bypass the old rules. Through the agency of affirmative action, akin to those pivotal narrative devices in Victorian fictions, I had, suddenly, a powerful father in America, like Old Man Kennedy. I had, in short, found a way to cheat. The saddest part of the story is that Nixon was willing to disown his own myth for political expediency. It would be the working-class white kid—the sort he had been—who would end up paying the price of affirmative action, not Kennedys. Affirmative action defined a “minority” in a numerical rather than a cultural sense. And since white males were already numerically “represented” in the boardroom, as at Harvard, the Appalachian white kid could not qualify as a minority. And since brown and black faces were “underrepresented,” those least disadvantaged brown and black Americans, like me, were able to claim the prize of admission and no one questioned our progress.
A boy named Buddy came up beside me in the schoolyard. I don't remember what passed as prologue, but I do not forget what Buddy divulged to me: If you're white, you're all right; If you're brown, stick around; If you're black, stand back. It was as though Buddy had taken me to a mountaintop and shown me the way things lay in the city below.
In the first televised presidential debate, Nixon thought he was upholding some puritan gravitas by refusing makeup; by choosing the citizen’s black suit; choosing the poor man’s version of natural aristocracy. Nixon was easily the more able in his grasp of history and the workings of government. John F. Kennedy, gold-dusted and ghostwritten, appeared completely natural. Nixon perspired. In an instant, I saw what many other Americans saw that night: Harvard College will always beat Whittier College in America. The game is fixed and there is nothing to be done about it.
I DON’T KNOW IF YOU HAVE EVER LUNCHED WITH A VEGETARIAN. Probably you have. If you live in San Francisco you have. Then you’ve seen Dominic, his hand raised, fingers slightly crook’d to summon a waitress: Ma’am? (Pointing to the menu.) Is this dish made with meat stock? The waitress (a Chinese restaurant) takes a moment to divine the desired answer. No. (When in doubt.) So imperial, so sliding scale, so uncomprehending is her no, so wise is her no, finally, so Greek, so Arab, so Catholic, so Brown is her no, Dominic cannot be reassured. Dominic’s vegetarianism has to do with upholding the sacredness of life. He needs a puritan answer. Whereas Peter. Peter is the son of my friend Franz. Peter is as easy in the brown world of maybe as he is in his own white skin. He is wandering through India as I write this. Peter is handsome, gentle, Hindu-intoxicated, slightly blue; his skin is slightly blue. Peter’s veganism has to do with the sacredness of his own body; with the purity of his lungs and his bowels and his liver and his breath. Peter’s vigilance is maniacal: Do you place meat and vegetables on the same grill?
Somehow the inclination to write about my private life in public is related to the ability to do so. It is not enough to say that my mother and father do not want to write their autobiographies. It needs also to be said that they are unable to write to a public reader. They lack the skill. Though both of them can write in Spanish and English, they write in a hesitant manner. Their syntax is uncertain. Their vocabulary limited. The man who sits in his chair so many hours, and the woman at the ironing board—‘keeping busy because I don’t want to get old’—will never be able to believe that any description of their personal lives could be understood by a stranger far from home.