my name came up in a conversation. Someone at the sherry party had wondered if the professor had seen my latest article on affirmative action. The professor replied with arch politeness, ‘And what does Mr. Rodriguez have to complain about?’ You who read this act of contrition should know that by writing it I seek a kind of forgiveness—not yours. The forgiveness, rather, of those many persons whose absence from higher education permitted me to be classed a minority student. I wish that they would read this. I doubt they ever will.
American journalist and essayist
Richard Rodriguez (born 31 July 1944) Mexican-American writer, associate editor with the Pacific News Service in San Francisco, an essayist for The NewsHour with Jim Lehrer, and a contributing editor for Harper's magazine and the Los Angeles Times.
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I would meet screenwriters in L.A. who would write these very complicated sitcoms like Cheers and who'd have the most extraordinary sense of plot of anybody I've ever met. I saw the insides of lots of great houses. And I met people who you and I would regard as famous, and then realized some very interesting things about them, like how lonely they are. It was those years I was least a minority. In a sense, I owned the world. I owned it because I had certain charms that allowed me to insinuate myself into the world. Intellectually, it was very satisfying to be at the edge of this world. But when it became clear to me that I wanted to write this book, I had to divorce myself from that world and move to San Francisco.
A question about the authenticity of the soul, I suppose. Or the wishbone—some little tug-of-war; some tension. The tension I have come to depend upon. That is what I mean by brown. The answer is that I cannot reconcile. I was born a Catholic. Is homosexuality, then, a conversion experience? No. I was born gay. Is Catholicism ever a choice? Yes. No. Not at first. I embraced Catholicism without question. It was the air, it was the light. Years later, I came to Catholicism in deliberation, defeat—satirically, perhaps—nevertheless on my knees. How else to approach a church established for losers, for a kingdom not of this world, a kingdom of fools? Whatever faith I confess is based upon my certainty that I can do nothing.
Of all the institutions in their lives, only the Catholic Church has seemed aware of the fact that my mother and father are thinkers—persons aware of the experience of their lives. Other institutions—the nation’s political parties, the industries of mass entertainment and communications, the companies that employed them—have all treated my parents with condescension.
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One can become overwhelmed on vacation—I have become so—by thinking thoughts that are too large. There is a condition identified in psychology textbooks as the Stendhal syndrome, also called, or related to, the Jerusalem syndrome, that describes a tourist’s overwhelmed response to great works of art or to a sudden apprehension of scale, antiquity, multitude, death—the accompanying fear is of one’s insignificance, but also of squandered opportunity.
My skepticism concerning all notions of reconquista is skepticism toward the view that history is restorative. I get older but I do not grow wiser. It is only by shedding skin, by turning pages, by ordering stronger spectacles, by having my hair cut, that I seem to be restoring myself to a circular pattern, that I seem to progress toward youth and capability, though my progress is actually a decline.
My father died of neither hot nor cold. My father was as leathern as a saint. He required no trees. As unrefreshed as a Muslim courtyard. He required no fountain. No music. Whenever he saw a baby he said “poor baby.” His questions were the basic questions, as prosaic as footsteps. What is heaven like? Will I be young? Will I be with Mama? Will I go to sleep? (I don’t know, Papa; how can I know?) Absurdly, I gave answers.
Americans are so individualistic, they do not realize their individualism is a communally derived value. The American I is deconstructed for me by Paolo, an architect who was raised in Bologna: “You Americans are not truly individualistic, you merely are lonely. In order to be individualistic, one must have a strong sense of oneself within a group.”
The Chicano student movement at UC Santa Barbara didn't want me there. These are the same people that sit on a multicultural committee. But they don't want me there because for them I represent a cultural perspective that they do not accept. Their version of multiculturalism is that it all be left wing, that it all be formed by a quasi-Marxist voodooism. And if anybody comes into their world that is any different from that, they can't deal with it. Because they are not multiculturalist at all. They're the most sectarian people I know.
Mexico is a nineteenth-century country arranged for gaslight. Once brought into the harsh light of the twentieth-century media, Mexico can only seem false. In its male, in its public, its city aspect, Mexico is an arch-tranvestite, a tragic buffoon. Dogs bark and babies cry when Mother Mexico walks abroad in the light of day. The policeman, the Marxist mayor — Mother Mexico doesn't even bother to shave her mustachios. Swords and rifles and spurs and bags of money chink and clatter beneath her skirts. A chain of martyred priests dangles from her waist, for she is an austere, pious lady. Ay, how much — clutching her jangling bosoms; spilling cigars — how much she has suffered.
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My brother and I have, after many years, achieved our importance to each other as a difference. Because it is sometimes difficult for my brother to climb the steps to my apartment, he will often come by and we will sit in his car and talk. We quite enjoy one another’s company. My brother is no less a good man for not believing in God; and I am no better a man because I believe. It is simply that religion gives me a sense—no, not a sense, a reason, no, not exactly a reason, an understanding—that everyone matters.