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" "The brilliance of Midwestern California, the California that is founded upon discontent, and the reason why so much technological innovation springs from the West Coast, is that having confronted the finitude of the coastline, technologists in Silicon Valley have shrunk the needed commodity—the future (thousands of miles of Zen pathway)—to the size of a fleck of gold dust, to a microchip.
Richard Rodriguez (born 31 July 1944) Mexican-American writer, associate editor with the Pacific News Service in San Francisco, an essayist for The NewsHour with Jim Lehrer, and a contributing editor for Harper's magazine and the Los Angeles Times.
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Thud. My eyes are open. It is four-thirty in the morning, one morning, and my dry eyes click in their sockets, awake before the birds. There is no light. The eye strains for logic, some play of form. I have been dreaming of wind. The tree outside my window stands silent. I listen to the breathing of the man lying beside me. I know where I am. I am awake. I am alive. Am I tethered to earth only by this fragile breath? A strawful of breath at best. Yet this is the breath that patients beg, their hands gripping the edges of mattresses; this is the breath that wrestles trees, that brings down all the leaves in the Third Act. We know where the car is parked. We know, word-for-word, the texts of plays. We have spoken, in proximity to one another, over years, sentences, hundreds of thousands of sentences—bright, grave, fallible, comic, perishable—perhaps eternal? I don’t know. Where does the wind go? When will the light come? We will have hotcakes for breakfast. How can I protect this . . . ? My church teaches me I cannot. And I believe it. I turn the pillow to its cool side. Then rage fills me, against the cubist necessity of having to arrange myself comically against orthodoxy, against having to wonder if I will offend, against theology that devises that my feeling for him, more than for myself, is a vanity. My brown paradox: The church that taught me to understand love, the church that taught me well to believe love breathes—also tells me it is not love I feel, at four in the morning, in the dark, even before the birds cry. Of every hue and caste am I.
In the first televised presidential debate, Nixon thought he was upholding some puritan gravitas by refusing makeup; by choosing the citizen’s black suit; choosing the poor man’s version of natural aristocracy. Nixon was easily the more able in his grasp of history and the workings of government. John F. Kennedy, gold-dusted and ghostwritten, appeared completely natural. Nixon perspired. In an instant, I saw what many other Americans saw that night: Harvard College will always beat Whittier College in America. The game is fixed and there is nothing to be done about it.
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As a young man, I was more a white liberal than I ever tried to put on black. For all that, I ended up a “minority,” the beneficiary of affirmative action programs to redress black exclusion. And, harder to say, my brown advantage became a kind of embarrassment. For I never had an adversarial relationship to American culture. I was never at war with the tongue. Brown was no longer invisible by the time I got to college. In the white appraisal, brown skin became a coat of disadvantage, which was my advantage. Acknowledgment came at a price, then as now. (Three decades later, the price of being a published brown author is that one cannot be shelved near those one has loved. The price is segregation.) I remain at best ambivalent about those Hispanic anthologies where I end up; about those anthologies where I end up the Hispanic; about shelves at the bookstore where I look for myself and find myself. The fact that my books are published at all is the result of the slaphappy strategy of the northern black Civil Rights movement.