As a young man, I was more a white liberal than I ever tried to put on black. For all that, I ended up a “minority,” the beneficiary of affirmative a… - Richard Rodriguez

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As a young man, I was more a white liberal than I ever tried to put on black. For all that, I ended up a “minority,” the beneficiary of affirmative action programs to redress black exclusion. And, harder to say, my brown advantage became a kind of embarrassment. For I never had an adversarial relationship to American culture. I was never at war with the tongue. Brown was no longer invisible by the time I got to college. In the white appraisal, brown skin became a coat of disadvantage, which was my advantage. Acknowledgment came at a price, then as now. (Three decades later, the price of being a published brown author is that one cannot be shelved near those one has loved. The price is segregation.) I remain at best ambivalent about those Hispanic anthologies where I end up; about those anthologies where I end up the Hispanic; about shelves at the bookstore where I look for myself and find myself. The fact that my books are published at all is the result of the slaphappy strategy of the northern black Civil Rights movement.

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About Richard Rodriguez

Richard Rodriguez (born 31 July 1944) Mexican-American writer, associate editor with the Pacific News Service in San Francisco, an essayist for The NewsHour with Jim Lehrer, and a contributing editor for Harper's magazine and the Los Angeles Times.

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Additional quotes by Richard Rodriguez

My reading was scheduled for the six-thirty slot by the University of Arizona. A few hundred people showed up – old more than young; mostly brown. I liked my "them," in any case, for coming to listen, postponing their dinners. In the middle of one of my paragraphs, a young man stood to gather his papers, then retreated up the aisle, pushed open the door at the back of the auditorium. In the trapezoid of lobby-light thus revealed, I could see a crowd was forming for the eight o'clock reading — a lesbian poet. Then the door closed, resealed the present; I continued to read, but wondered to myself: Why couldn't I get the lesbians for an hour? And the lesbian poet serenade my Mexican audience?

Intimacy is not trapped within words. It passes through words. It passes. The truth is that intimates leave the room. Doors close. Faces move away from the window. Time passes. Voices recede into the dark. Death finally quiets the voice. And there is no way to deny it. No way to stand in the crowd, uttering one’s family language.

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In the Sacramento of the 1950s, it was as though White simply hadn't had time enough to figure Brown out. It was a busy white time. Brown was like the skinny or fat kids left over after the team captains chose sides. "You take the rest" — my cue to wander away to the sidelines, to wander away.

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