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" "A arte do caricaturista consiste em captar esse movimento às vezes imperceptível, e em torná-lo visível a todos os olhos mediante ampliação dele. Ele faz com que os seus modelos careteiem como se
fossem ao extremo de sua careta. Ele adivinha, sob as harmonias superficiais da forma, as revoltas profundas da matéria. Efetua desproporções e deformações
que poderiam existir na natureza se ela pudesse ter vontade, mas que não puderam concretizar-se, reprimidas que foram por uma força melhor. A
caricatura, que tem algo de diabólico, ressalta o demônio que venceu o anjo.
Henri-Louis Bergson (18 October 1859 – 4 January 1941) was a major French philosopher, influential in the first half of the 20th century. He was awarded the 1927 Nobel Prize in Literature.
Biography information from Wikiquote
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One could say as much for perception. The auxiliary of action, it isolates that part of reality as a whole that interests us; it shows us less the things themselves than the use we can make of them. It classifies, it labels them beforehand; we scarcely look at the object, it is enough for us to know to which category it belongs. But now and then, by a lucky accident, men arise whose senses or whose consciousness are less adherent to life. Nature has forgotten to attach their faculty of perceiving to their faculty of acting. When they look at a thing, they see it for itself, and not for themselves. They do not perceive simply with a view to action; they perceive in order to perceive, — for nothing, for the pleasure of doing so.
"Notre rire est toujours le rire d'un groupe. Il vous est peut-être arrivé, en wagon ou à une table d'hôte, d'entendre des voyageurs se raconter des histoires qui devaient être comiques pour eux puisqu'ils riaient de bon cœur. Vous auriez ri comme eux si vous eussiez été de leur société. Mais n'en étant pas, vous n'aviez aucune envie de rire. Un homme, à qui l'on demandait pourquoi il ne pleurait pas à un sermon où tout le monde versait des larmes, répondit : "Je ne suis pas de la paroisse". Ce que cet homme pensait des larmes serait bien plus vrai du rire."
The intuition we refer to then bears above all upon internal duration. It grasps a succession which is not juxtaposition, a growth from within, the uninterrupted prolongation of the past into a present which is already blending into the future. It is the direct vision of the mind by the mind, — nothing intervening, no refraction through the prism, one of whose facets is space and another, language. Instead of states contiguous to states, which become words in juxtaposition to words, we have here the indivisible and therefore substantial continuity of the flow of the inner life. Intuition, then, signifies first of all consciousness, but immediate consciousness, a vision which is scarcely distinguishable from the object seen, a knowledge which is contact and even coincidence. —