...the task was not to choose but to accept, there being no obligation to choose between what was appropriate and what was inappropriate, only to acc… - László Krasznahorkai

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...the task was not to choose but to accept, there being no obligation to choose between what was appropriate and what was inappropriate, only to accept that we are not obliged to do anything except to comprehend that the appropriateness of the one great universal process of thinking is not predicated on it being correct, for there was nothing to compare it with, nothing but its own beauty, and it was its beauty that gave us confidence in its truth — and this, said Korin, was what struck him as he walked those hundred furiously-thinking paces on the evening of his birthday: that is to say he understood the infinite significance of faith and was given a new insight into what the ancients had long known, that it was faith in its existence that had both created and maintained the world; the corollary of which was that it was the loss of his own faith that was now erasing it, the result of which realization being, he said, that he experienced a sudden, utterly numbing, quite awful feeling of abundance...

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About László Krasznahorkai

László Krasznahorkai (; born 5 January 1954) is a Hungarian novelist and screenwriter known for difficult and demanding novels, often labeled postmodern, with dystopian and melancholic themes. Several of his works, including his novels Satantango (, 1985) and The Melancholy of Resistance (, 1989), have been turned into feature films by Hungarian film director Béla Tarr.

Biography information from Wikipedia

Also Known As

Native Name: Krasznahorkai László
Alternative Names: Laszlo Krasznahorkai
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Shorter versions of this quote

. . .what became clear was that most opinions were a waste of time, that it was a waste thinking that life was a matter of appropriate conditions and appropriate answers, because the task was not to choose but to accept, there being no obligation to choose between what was appropriate and what was inappropriate, only to accept that we are not obliged to do anything except to comprehend that the appropriateness of the one great universal process of thinking is not predicated on it being correct, for there was nothing to compare it with, nothing but its own beauty, and it was its beauty that gave us confidence in its truth. . .

Additional quotes by László Krasznahorkai

Apple cores, bits of old boots, watch-straps, overcoat buttons, rusted keys, everything, he coolly noted, that man may leave his mark by, was here, though it wasn’t so much this ‘icy museum of pointless existence’ that astonished him (for there was nothing remotely new about the particular range of exhibits), but the way this slippery mass snaking between the houses, like a pale reflection of the sky, illuminated everything with its unearthly, dull, silvery phosphorescence.

...all normal expectations went by the board and one’s daily habits were disrupted by a sense of ever-spreading all-consuming chaos which rendered the future unpredictable, the past unrecallable and ordinary life so haphazard that people simply assumed that whatever could be imagined might come to pass, that if there were only one door in a building it would no longer open, that wheat would grow head downwards into the earth not out of it, and that, since once could only note the symptoms of disintegration, the reasons for it remaining unfathomable and inconceivable, there was nothing anyone could do except to get a tenacious grip on anything that was still tangible…

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