...the task was not to choose but to accept, there being no obligation to choose between what was appropriate and what was inappropriate, only to acc… - László Krasznahorkai

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...the task was not to choose but to accept, there being no obligation to choose between what was appropriate and what was inappropriate, only to accept that we are not obliged to do anything except to comprehend that the appropriateness of the one great universal process of thinking is not predicated on it being correct, for there was nothing to compare it with, nothing but its own beauty, and it was its beauty that gave us confidence in its truth — and this, said Korin, was what struck him as he walked those hundred furiously-thinking paces on the evening of his birthday: that is to say he understood the infinite significance of faith and was given a new insight into what the ancients had long known, that it was faith in its existence that had both created and maintained the world; the corollary of which was that it was the loss of his own faith that was now erasing it, the result of which realization being, he said, that he experienced a sudden, utterly numbing, quite awful feeling of abundance...

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About László Krasznahorkai

László Krasznahorkai (; born 5 January 1954) is a Hungarian novelist and screenwriter known for difficult and demanding novels, often labeled postmodern, with dystopian and melancholic themes. Several of his works, including his novels Satantango (, 1985) and The Melancholy of Resistance (, 1989), have been turned into feature films by Hungarian film director Béla Tarr.

Biography information from Wikipedia

Also Known As

Native Name: Krasznahorkai László
Alternative Names: Laszlo Krasznahorkai
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Shorter versions of this quote

. . .what became clear was that most opinions were a waste of time, that it was a waste thinking that life was a matter of appropriate conditions and appropriate answers, because the task was not to choose but to accept, there being no obligation to choose between what was appropriate and what was inappropriate, only to accept that we are not obliged to do anything except to comprehend that the appropriateness of the one great universal process of thinking is not predicated on it being correct, for there was nothing to compare it with, nothing but its own beauty, and it was its beauty that gave us confidence in its truth. . .

Additional quotes by László Krasznahorkai

"Caddedeki eve geldiğinde daha fazla dayanamayacağına ve dinlenmesi gerektiğine karar vererek odasına kapanmıştı. Dinlenecek ve tek saniyeyi bile boşa harcamamak için bir daha asla kalkmayacaktı: O anda, yatağına uzandığı saniyede, artık "salaklaşmanın, aptallaşmanın, odunlaşmanın, dangalaklaşmanın, terbiyesizliğin, zevksizliğin, kabalığın, cehaletin, bilgisizliğin, ve genel seviyesizliğin tonlarca anısının yorgunluğu"nu atmak için, önünde daha bir elli yıl olsa dinlenmesinin yeterli olmayacağını düşünmüştü."

Faith, thought Eszter . . . is not a matter of believing something, but believing that somehow things could be different; in the same way, music was not the articulation of some better part of ourselves, or a reference to some notion of a better world, but a disguising of the fact of our irredeemable selves and the sorry state of the world, but no, not merely a disguising but a complete, twisted denial of such facts: it was a cure that did not work, a barbiturate that functioned as an opiate.

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