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" "Ma come stabilire il momento esatto in cui comincia una storia? Tutto è sempre cominciato già da prima, la prima riga della prima pagina d'ogni romanzo rimanda a qualcosa che è già successo fuori dal libro. Oppure la vera storia è quella che comincia dieci o cento pagine più avanti e tutto ciò che precede è solo un prologo. Le vite degli individui della specie umana formano un intreccio continuo, in cui ogni tentativo di separare un pezzo di vissuto che abbia un senso separatamente dal resto - per esempio, l'incontro di due persone che diventerà decisivo per entrambi - deve tener conto che ciascuno dei due porta con sé un tessuto di ambienti fatti altre persone, e che dall'incontro deriveranno a loro volta altre storie che si separeranno dalla loro storia comune.
Italo Calvino (October 15, 1923 – September 19, 1985) was an Italian journalist and writer of short stories and novels. Lionized in Britain and America, he was, at the time of his death, the most-translated contemporary Italian writer.
Biography information from Wikiquote
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"A person, for example, reads in adulthood a book that is important for him, and it makes him say, "How could I have lived without reading it!" and also, "What a pity I did not read it in my youth!" Well, these statements do not have much meaning, especially the second, because after he has read that book, his life becomes the life of a person who has read that book, and it is of little importance whether he read it early or late, because now his life before that reading also assumes a form shaped by that reading."
If on a winter's night a traveler, outside the town of Malbork, leaning from the steep slope without fear of wind or vertigo, looks down in the gathering shadow in a network of lines that enlace, in a network of lines that intersect, on the carpet of leaves illuminated by the moon around an empty grave-What story down there awaits its end?-he asks, anxious to hear the story.
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His trees were now hung all over with scrawled pieces of paper and bits of cardboard with maxims from Seneca and Shaftesbury, and with various objects; clusters of feathers, church candles, crowns of leaves, women's corsets, pistols, scales, tied to each other in certain order. The Ombrosians used to spend hours trying to guess what those symbols meant: nobles, Pope, virtue, war? I think some of them had no meaning at all but just served to jog his memory and make him realize that even the most uncommon ideas could be right.