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" "I call 'parallelism' any kind of repetition. When I feel most strongly the charm of things in nature, there is always an impression of unity. If my way leads into a pine wood where the trees reach high into heaven, I see the trunks that stand to the right and to the left of me as countless columns. One and the same vertical line, repeated many times, surrounds me. Now, if these trunks should be clearly outlined on an unbroken dark background, if they should stand out against the deep blue of the sky, the reason for this impression of unity is parallelism.
Ferdinand Hodler (March 14, 1853 - May 19, 1918) was one of the best-known Swiss painters of the nineteenth century. His early works were portraits, landscapes, and genre paintings in a realistic style. Later, he adopted a personal form of Symbolism he called 'parallelism'.
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'Parallelism' can be pointed out in the different parts of a single object, looked at alone; it is even more obvious when one puts several objects of the same kind next to each other. Now if we compare our own lives and customs with these appearances in nature, we shall be astonished to find the same principle repeated.. .When an important event is being celebrated, the people face and move in the same direction. These are parallels following each other..
When I enter a forest of tall fir trees, reaching toward the sky, I am surrounded, right and left, by their trunks, which seem to me like innumerable columns. Around me, one and the same vertical line is repeated endlessly. Th the extend that these tree trunk are clearly distinguished from a murky background, to the extent that they are well delineated from the blue sky, I am impressed with a feeling of unity, of parallelism.
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