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" "If a few people who have come together for the same purpose sit around a table, we can understand them as parallels making up a unity, like the petals of a flower. When we are happy we do not like to hear a discordant voice that disturbs our joy. Proverbially, it is said: Birds of a feather flock together. In all these examples parallelism, or the principle of repetition, can be pointed out. And this parallelism of experience is, in expression, translated into the formal parallelism which we have already discussed.
Ferdinand Hodler (March 14, 1853 - May 19, 1918) was one of the best-known Swiss painters of the nineteenth century. His early works were portraits, landscapes, and genre paintings in a realistic style. Later, he adopted a personal form of Symbolism he called 'parallelism'.
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When I enter a forest of tall fir trees, reaching toward the sky, I am surrounded, right and left, by their trunks, which seem to me like innumerable columns. Around me, one and the same vertical line is repeated endlessly. Th the extend that these tree trunk are clearly distinguished from a murky background, to the extent that they are well delineated from the blue sky, I am impressed with a feeling of unity, of parallelism.
The artist's mission is to give shape to what is eternal in nature, to reveal its inherent beauty; he sublimates the shapes of the human body. He shows an enlarged and simplified nature, liberated from all the details, which do not tell us anything. He shows us a work according to the size of his own experience, of his heart and his spirit.
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If an object is pleasant, repetition will increase its charm; if it expresses sorrow or pain, then repetition will intensify its melancholy. On the contrary, any subject that is peculiar or unpleasant will be made unbearable by repetition. So repetition always acts to increase intensity. Since the time that this principle of harmony was employed by the primitives, it has been visually lost, and so forgotten. One strove for the charm of variety, and so achieved the destruction of unity.. .Variety is just as much an element of beauty as parallelism, provided that one does not exaggerate it. For the structure of our eye itself demands that we introduce some variety into any absolutely unified object.. .To be simple is not always as easy as it seems.. .The work of art will bring to light a new order inherent in things, and this will be: the idea of unity.