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" "It is only by long and laborious study, and by the comparison of a number of individuals, that it will be possible to succeed in establishing correct average proportions each age, and in settling the limits betwixt they can be made to vary, without ceasing to be accurate and faithful to nature—our first and guide in this difficult study.
Lambert Adolphe Jacques Quetelet (or Quételet) (22 February 1796 – 17 February 1874) was a Belgian astronomer, mathematician, statistician and sociologist. He founded and directed the Brussels Observatory and was perpetual secretary of the Royal Academy of Brussels. Quetelet was influential in introducing statistical methods to the social sciences.
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Judgments upon books are formed with even more haste and levity than judgments upon men. Writings are talked of without being known; and people take up an opinion for or against, in consequence of decisions which it would cost them some trouble to determine the source. These are evils which must be borne with patience, and the more so because they are common.
The principal artists of the era of the revival of letters, such as Leon Baptista Alberti, Michael Angelo, Leonardo da Vinci, Albert Durer, with many others who what art ought to borrow from science, felt the necessity of resorting to observation, in order to rebuild in some sort the ruined monument of ancient artistical skill. They studied nature in a philosophical manner; sought to strike out the limits within which they ought to confine themselves in order to be truthlike... and from those profound studies which kept them ever before the face of nature, they deduced original views and new models, destined to distinguish for ever that celebrated age. The proportions of the human body did not alone attract their attention: anatomy, perspective, and chemistry, formed parts of their studies; nothing was neglected; and some of these great artists even gained for themselves a first place among the geometers of their day. Their successors have not devoted themselves to such serious studies, and hence it so frequently happens that they are reduced to content themselves, either with copying from those who went before them, or with working after individual models, whose proportions they modify according to mere caprice, without having any just or proper ideas of the beautiful.
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