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" "Posicionar o público não é algo novo. Shakespeare não chamou sua peça de Hamlet, chamou-a de A Tragédia de Hamlet, Príncipe da Dinamarca. Ele deu a comédias títulos como Muito Barulho Por Nada e A Comédia dos Erros, de modo que, a cada tarde no Teatro Globe, o público elisabetano estava psicologicamente preparado para chorar ou rir.
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For those protagonists we tend to admire the most, the Inciting Incident arouses not only a conscious desire, but an unconscious one as well. These complex characters suffer intense inner battles because these two desire are in direct conflict with each other. No matter what the character consciously thinks he wants, the audience senses or realizes that deep inside he unconsciously wants the very opposite.
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