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" "His creation was spontaneous, miraculous. He found it without searching for it, without foreseeing it. It came to his piano suddenly, complete, sublime, or it sang in his head during a walk, and he would hasten to hear it again by, tossing it off on his instrument. But then would begin the most heartbreaking labor I have ever witnessed. It was a series of efforts, indecision, and impatience to recapture certain details of the theme he had heard: what had come to him all of a piece, he now over-analyzed in his desire to write it down, and his regret at not finding it again "neat," as he said, would throw him into a kind of despair. He would shut himself up in his room for days at a time, weeping, pacing, breaking his pens, repeating and changing a single measure a hundred times, writing it and effacing it with equal frequency, and beginning again the next day with a meticulous and desperate perseverance. He would spend six weeks on one page, only to end up writing it just as he had traced it in his first outpouring.
Amandine-Aurore-Lucile Dupin, baronne Dudevant (1 July 1804 – 8 June 1876), most famous under her pseudonym George Sand, was a French novelist and a pioneer of feminism.
Biography information from Wikiquote
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Nada está bien, nada está mal para él; ahoga el débil grito de su conciencia, se burla de las creencias del género humano. Es casi más fuerte en su perversidad que Carlos en su extravío. Asesina a su padre, aplasta y tortura a sus vasallos, roba la herencia paterna, no retrocede ante ninguna traición, ante ninguna crueldad; cuando la muerte se acerca es asaltado por visiones supersticiosas y por cobardes temores; mas no por eso se convierte. Escapa de sus enemigos por el suicidio. Es la sociedad pervertida y maldita que se precipita al abismo y muere entre sus propias manos.
(Sobre Los Bandidos, de Schiller; favorita de Dostoyevski y otros autores rusos)