His creation was spontaneous, miraculous. He found it without searching for it, without foreseeing it. It came to his piano suddenly, complete, subli… - George Sand

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His creation was spontaneous, miraculous. He found it without searching for it, without foreseeing it. It came to his piano suddenly, complete, sublime, or it sang in his head during a walk, and he would hasten to hear it again by, tossing it off on his instrument. But then would begin the most heartbreaking labor I have ever witnessed. It was a series of efforts, indecision, and impatience to recapture certain details of the theme he had heard: what had come to him all of a piece, he now over-analyzed in his desire to write it down, and his regret at not finding it again "neat," as he said, would throw him into a kind of despair. He would shut himself up in his room for days at a time, weeping, pacing, breaking his pens, repeating and changing a single measure a hundred times, writing it and effacing it with equal frequency, and beginning again the next day with a meticulous and desperate perseverance. He would spend six weeks on one page, only to end up writing it just as he had traced it in his first outpouring.

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About George Sand

Amandine-Aurore-Lucile Dupin, baronne Dudevant (1 July 1804 – 8 June 1876), most famous under her pseudonym George Sand, was a French novelist and a pioneer of feminism.

Biography information from Wikiquote

Also Known As

Alternative Names: Amantine Lucile Aurore Dupin Amandine Lucile Aurore Dupin Baroness Dudevant Jules Sand Lucie Dudevant Aurore Amantine Lucile Dupin Aurore Amantine Lucile Sand Amandine-Aaurore-Lucile Dupin George nee Dupin Sand Mrs. George Sand Georges Sand Amandine-Aurore-Lucile Dudevant Amandine-Aaurore-Lucile Dudevant Lucile Aurore Dupin A.A.L. Dudevant-Dupin
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Additional quotes by George Sand

Criticism is far too acute; that is what will cause its death. It never passes judgment ingenuously. It looks for noon at four o’clock, as the old women say, and must cause much suffering to artists who care more for its decrees than they ought to do.

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Nada está bien, nada está mal para él; ahoga el débil grito de su conciencia, se burla de las creencias del género humano. Es casi más fuerte en su perversidad que Carlos en su extravío. Asesina a su padre, aplasta y tortura a sus vasallos, roba la herencia paterna, no retrocede ante ninguna traición, ante ninguna crueldad; cuando la muerte se acerca es asaltado por visiones supersticiosas y por cobardes temores; mas no por eso se convierte. Escapa de sus enemigos por el suicidio. Es la sociedad pervertida y maldita que se precipita al abismo y muere entre sus propias manos.

(Sobre Los Bandidos, de Schiller; favorita de Dostoyevski y otros autores rusos)

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