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" "Faith is not produced in the field of knowledge, as a sort of knowledge of inferior degree, whose object is presumed without being truly seen, and perhaps without ever being visible – a knowledge that is not only inferior, then, but illusory. Faith is not a signifying consciousness that is still empty, incapable of producing its content by itself. Faith is not of the realm of consciousness, but rather of feeling. It comes from the fact that nobody ever gave himself life, but rather that life gives itself, and gives itself to the living, as what submerges him – from the fact that in life he is totally living, as long as life gives him to himself. Faith is the living’s certitude of living, a certitude that can come to him ultimately only from absolute Life’s own certitude of living absolutely, from its self-revelation, without reservation, in the invincible force of its Second Coming. Having entered into him in its own certitude that life is for living, Faith is within the life of each transcendental me as the feeling it has of absolute Life. From this comes its irrepressible power, not that of the transcendental ego placed in itself and in its I Can in absolute Life’s self-givenness, but the power of this self-givenness, its invincible and eternal embrace. This is why Faith never takes its force from a temporal act and never mingles with it. It is the Revelation to man of his condition of Son, the grasping of man in Life’s self-grasping.
Michel Henry (10 January 1922 – 3 July 2002) was a French philosopher, phenomenologist and novelist. He wrote five novels and numerous philosophical works. He also lectured at universities in France, Belgium, the United States, and Japan. His novel L'amour les yeux fermés (Love With Closed Eyes) has won the Renaudot Prize in 1976.
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The power of the feeling is the gathering which edifies, the being seized by oneself, its blazing up, its fulguration, is the becoming of the being, the triumphant sudden appearance of the revelation. What becomes of, in the triumph of this sudden appearance, in the fulguration of the presence, in the Parousia and, lastly, when there is something instead of nothing, that’s the joy.
La culture est l'ensemble des entreprises et des pratiques dans lesquelles s'exprime la surabondance de la vie, toutes elles ont pour motivation la « charge », le « trop » qui dispose intérieurement la subjectivité vivante comme une force prête à se prodiguer et contrainte, sous la charge, de le faire.
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The task of material phenomenology is immense. It is not simply to be attached to another order of phenomena that remained neglected up to now but to rethink everything, if one can think reality. Every sphere of reality must become the object of a new analysis that goes back to its invisible dimension. And this concerns material nature as well, which is a living cosmos. Since material phenomenology implies the revival of philosophical questioning in its entirety, it offers a future to phenomenology and to philosophy itself. At the same time, it discovers a new past.