my personal world view at sixteen, as at twenty-six, was itself being created by political conditions. I was not a man; I was white in a white-suprem… - Adrienne Rich

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my personal world view at sixteen, as at twenty-six, was itself being created by political conditions. I was not a man; I was white in a white-supremacist society; I was being educated from the perspective of a particular class; my father was an "assimilated" Jew in an anti-Semitic world, my mother a white southern Protestant; there were particular historical currents on which my consciousness would come together, piece by piece. My personal world view was shaped in part by the poetry I had read, a poetry written almost entirely by white Anglo-Saxon men, a few women, Celts and Frenchmen notwithstanding. Thus, no poetry in the Spanish language or from Africa or China or the Middle East. My personal world view, which like so many young people I carried as a conviction of my own uniqueness, was not original with me, but was, rather, my untutored and half-conscious rendering of the facts of blood and bread, the social and political forces of my time and place. ("Blood, Bread, and Poetry: the Location of the Poet")

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About Adrienne Rich

Adrienne Rich (16 May 1929 - 27 March 2012) was an American feminist, poet, teacher, and writer.

Also Known As

Alternative Names: Adrienne Cecile Rich Adrienne Cécile Rich Adrienne Riche Adrienne C. Rich Edrijen Rič

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Additional quotes by Adrienne Rich

I've said that "American Jews" have paid an intellectual and spiritual price for the narrowing of sight demanded by conformity and reliance on Israel as surrogate identity. Part of this price has been estrangement of many Jews from any Jewish affiliation. But, of course, in reality American Jews disagree like all other Jews, past and future.

I drew a lot of nourishment from the poets that I then was aware of and able to be aware of, poets like William Blake, like Emily Dickinson, like Whitman, people whose—and then later, somewhat later, Yeats, who taught me in fact that poetry could be political and still be incredibly beautiful. And on and on, because one is always reading, one is always extending one’s range into the world of poetry translated from other languages, poetry from other centuries. (1997)

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False history gets made all day, any day,
the truth of the new is never on the news
False history gets written every day...
The lesbian archaeologist watches herself
sifting her own life out from the shards she's piecing,
asking the clay all questions but her own.

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