New storms will arise; one can believe in calamities to come which will surpass the afflictions we have been overwhelmed by in the past; already, men… - François-Auguste-René de Chateaubriand

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New storms will arise; one can believe in calamities to come which will surpass the afflictions we have been overwhelmed by in the past; already, men are thinking of bandaging their old wounds to return to the battlefield. However, I do not expect an imminent outbreak of war: nations and kings are equally weary; unforeseen catastrophe will not yet fall on France: what follows me will only be the effect of general transformation. No doubt there will be painful moments: the face of the world cannot change without suffering. But, once again, there will be no separate revolutions; simply the great revolution approaching its end. The scenes of tomorrow no longer concern me; they call for other artists: your turn, gentlemen! As I write these last words, my window, which looks west over the gardens of the Foreign Mission, is open: it is six in the morning; I can see the pale and swollen moon; it is sinking over the spire of the Invalides, scarcely touched by the first golden glow from the East; one might say that the old world was ending, and the new beginning. I behold the light of a dawn whose sunrise I shall never see. It only remains for me to sit down at the edge of my grave; then I shall descend boldly, crucifix in hand, into eternity.

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About François-Auguste-René de Chateaubriand

François-René, vicomte de Chateaubriand (4 September 1768 – 4 July 1848) was a French writer, politician and diplomat, considered the founder of Romanticism in French literature.

Biography information from Wikiquote

Also Known As

Native Name: François Auguste René de Chateaubriand
Alternative Names: François-René, vicomte de Chateaubriand François-Auguste-René, vicomte de Chateaubriand François-René, Vicomte de Chateaubriand vicomte de Chateaubriand François-René F. A. von Chateaubriand François René de Châteaubriand François-René de Châteaubriand
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Additional quotes by François-Auguste-René de Chateaubriand

A master in the art of living draws no sharp distinction between his work and his play; his labour and his leisure; his mind and his body; his education and his recreation. He hardly knows which is which. He simply pursues his vision of excellence through whatever he is doing, and leaves others to determine whether he is working or playing. To himself, he always appears to be doing both.

The eighteenth century, a century of intellectual rather than material action, would not have succeeded in changing the laws so rapidly had it not stumbled on a suitable vehicle: the parliaments, and most notably the parliament of Paris, became the instruments of a philosophical system.

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I can understand the cruel gaiety of Cervantes’s masterpiece only through a melancholy meditation: considering the whole of human existence, weighing good and evil, one might be tempted to wish for any accident that brings forgetfulness, as a means of escaping from oneself.

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