Los hombres más opacos emiten algún resplandor: este asesino toca bien la flauta, ese contramaestre que desgarra a latigazos la espalda de los esclavos es quizá un buen hijo; ese idiota compartirá conmigo su último mendrugo. Y pocos hay que no puedan enseñarnos alguna cosa. Nuestro gran error está en tratar de obtener de cada uno en particular las virtudes que no posee, descuidando cultivar aquellas que posee. A la búsqueda de esas virtudes fragmentarias aplicaré aquí lo que decía antes, voluptuosamente, de la búsqueda de la belleza.
French novelist and essayist (1903-1987)
Marguerite Cleenewerck de Crayencour (June 8 1903 – December 17 1987) was a Belgian-born French novelist who wrote under the pseudonym Marguerite Yourcenar. She was the first woman to be elected to the Académie française.
From: Wikiquote (CC BY-SA 4.0)
Alternative Names:
Yourcenar
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Marguerite Cleenewerck de Crayencour
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Marguerite de Crayencour
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Marguerite Antoinette Jeanne Marie Ghislaine Cleenewerck de Crayencour
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I lent only half an ear to those well-intentioned folk who say that happiness is enervating, liberty too relaxing, and that kindness is a corruption for those upon whom it is practiced. That may be; but in the world as it is, such reasoning amounts to a refusal to nourish a starving man decently, for fear that in a few years he may suffer from overfeeding. When useless servitude has been alleviated as far as possible, and unnecessary misfortune avoided, there will remain as a test of man’s fortitude that long series of veritable ills, death, old age, and incurable sickness, love unrequited and friendship rejected or betrayed, the mediocrity of a life less vast than our projects and duller than our dreams; in short, all the woes caused by the divine nature of things.
"We are falling back into allegory," said the Captain, interrupting him. "If you mean by all that that the body is the most solid of realities, then say so."
"No, not exactly," Zeno explained. "This body, our kingdom, sometimes seems to me to be made of a fabric as loosely woven and as evanescent as a shadow. I should hardly be more astonished to see my mother again (who is dead) than to come upon you around a corner as I did, your face grown older and its substance recomposed more than once in twenty years' time, with its color altered by the seasons and its form somewhat changed, but your mouth still knowing my name. Think of the grain that has grown and the creatures that have lived and died in order to sustain that Henry who is and is not the one I knew twenty years ago."
From each art practiced in its time I derive a knowledge which compensates me in part for pleasures lost. I have supposed, and in my better moments think so still, that it would be possible in this manner to participate in the existence of everyone; such sympathy would be one of the least revocable kinds of immortality.