anywhere in America, if you take a university-level course on American history or American literature, particularly in literature and the arts, it on… - Wendy Rose
" "anywhere in America, if you take a university-level course on American history or American literature, particularly in literature and the arts, it only has the literature and the arts that are produced by Americans of European heritage, even then largely Northern European. We are left out of the books. Black people are left out; brown people are left out; Indian people are left out. So you get the impression, going through the American education system, that the only people here are white people. It's not just a cultural matter, but it's a political matter. There is a reason for a society to be that way, that has the literary capacity and the technological capacity that America has; there's no excuse for the people being so blind, for the people to be wearing a blindfold that way. The only possible reason it could happen is because it's not an accident; that it's planned. Somebody is benefiting by having Americans ignorant about what non-European Americans are doing and what they have done; what European Americans have done to them. Somebody is benefiting by keeping people ignorant.
About Wendy Rose
Wendy Rose (born May 8, 1948) is a Hopi/Miwok writer. Having grown up in an environment which placed little emphasis on both her Native American and white background, much of her verse deals with her search for her personal identity. She is also an anthropologist, artist, and social scientist.
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if Indians are left out of every other class on the university campus, even where they are pertinent-for example, leaving Scott Momaday out of a class on twentieth-century American literature, something like that somewhere else there has to be a balance. There has to be someone somewhere else who is going to emphasize Scott Momaday to the exclusion of the ones who are emphasized in the other class. I hope that at some point that will become balanced. I hope that pretty soon an American literature class will just automatically include someone like Scott Momaday-and some of the other people: Charles Eastman, you know, the other writers in our history.