Contrary to what is all too often claimed, voters do not wish the men they have elected to be in their image. Voters love greatness and are capable o… - Alain de Benoist

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Contrary to what is all too often claimed, voters do not wish the men they have elected to be in their image. Voters love greatness and are capable of recognizing it. They love courage, even when they personally lack it.

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About Alain de Benoist

Alain de Benoist (born 11 December 1943), also known as Fabrice Laroche, Robert de Herte, David Barney, and multiple dozen other pen names, is a French political philosopher and journalist, a founding member of the Nouvelle Droite (France's New Right), and the leader of the ethno-nationalist think tank GRECE.

Also Known As

Alternative Names: Fabrice Laroche Cédric de Gentissard Robert de Herte Martial Laurent Tanguy Gallien Frédéric Laurent Pierre Dolabella Maxime Meyer Jean-Pierre Dujardin Frédéric Toulouze Jean-Louis Cartry Julien Valserre Pierre Jacob Pierre Carlet David Barney Jean-Pierre Hébert Maiastra G. Foumier Gilles Foumier Mortimer Davidson Mortimer G. Davidson Fabrice Valclérieux Éric Saint-Léger Éric Lecendreux Éric Dumesnil Bastien O'Danieli Walter Aubrig Alain Marie de Benoist
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When it comes to specifying the values particular to paganism, people have generally listed features such as these: an eminently aristocratic conception of the human individual; an ethics founded on honor (“shame” rather than “sin”); an heroic attitude toward life’s challenges; the exaltation and sacralization of the world, beauty, the body, strength, health; the rejection of any “worlds beyond”; the inseparability of morality and aesthetics; and so on. From this perspective, the highest value is undoubtedly not a form of “justice” whose purpose is essentially interpreted as flattening the social order in the name of equality, but everything that can allow a man to surpass himself. To paganism, it is pure absurdity to consider the results of the workings of life’s basic framework as unjust. In the pagan ethic of honor, the classic antithesis noble vs. base, courageous vs. cowardly, honorable vs. dishonorable, beautiful vs. deformed, sick vs. healthy, and so forth, replace the antithesis operative in a morality based on the concept of sin: good vs. evil, humble vs. vainglorious, submissive vs. proud, weak vs. arrogant, modest vs. boastful, and so on. However, while all this appears to be accurate, the fundamental feature in my opinion is something else entirely. It lies in the denial of dualism.

Adam and Eve, placed in the garden of Eden, find themselves forbidden to eat of “the tree of the knowledge of good and evil” (Genesis 2:17). Catholic theologians believe this “knowledge” forbidden by Elohim-Yahweh is neither omniscience nor moral discernment, but the ability to decide what is good or evil. Jewish theology is more subtle. The “tree” of the knowledge is interpreted as the representation of a world where good and evil “are in a combined state,” where there is no absolute Good and Evil. In other words, the “tree” is a foreshadowing of the real world we live in, a world where nothing is absolutely clear cut, where moral imperatives are tied to human values, and where everything of any greatness and importance always takes place beyond good and evil. Furthermore, in the Hebrew tradition “to eat” means “to assimilate.” To eat of the tree of knowledge of good and evil is therefore to personally enter this real world where human initiative “combines” good and evil. Adam’s transgression, from which all the others are derived, is clearly “that of autonomy,” accordingly, as emphasized by Eisenberg and Abecassis, this would be “the desire to conduct his own history alone in according to his own desire and his own word or law.

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In paganism, on the contrary, good cannot be separated from beauty, and this is normal, because the good is form, the consummate forms of worldly things. Consequently, art cannot be separated from religion. Art is sacred. Not only can the gods be represented, but art is how they can be represented, and insofar as men perpetually assure them of representation, they have a full status of existence. All European spirituality is based on representation as mediation between the visible and the invisible, on representation by means of depicted figures and signs exchanged against a meaning intimately tied to the real, the very guarantee of this incessant and mutual conversion of the sign and meaning. Beauty is the visible sign of what is good, ugliness the visible sign of not only what is deformed or spoiled but bad.

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