If we can teach the history of racism in the United States as a history of the shifting needs of empire and class, as a history of both impositions a… - Aurora Levins Morales

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If we can teach the history of racism in the United States as a history of the shifting needs of empire and class, as a history of both impositions and choices, alliances and betrayals, a history with roots far outside and long before the first colonial encounters, if we can hold the tension between disbelief in race and belief in what racism does to us, we will enable more and more young people to remake old and seemingly immutable decisions about where their interests lie and with whom. ("What Race Isn't: Teaching about Racism")

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About Aurora Levins Morales

Aurora Levins Morales (born February 24, 1954) is a Puerto Rican Jewish writer and poet. She is significant within Latina feminism and Third World feminism as well as other social justice movements.

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However the abuse is perpetrated, the result is the same: abuse does not make sense in the context of our humanity, so when we are abused, we must either find an explanation that restores our dignity or we will at some level accept that we are less than human and lose ourselves, and our capacity to resist, in the experience of victimhood.

Art, like dreaming, is something so necessary to internal balance that people deprived of it go a little wacky. Art is the collective dreamplace, the reservoir of our deepest understandings and desires and hopes, as essential as water. In recognition of this fact, the marketplace offers us entertainment, hoping to replace the wild and forested interior of our souls with potted plastic plants. Just as we dream-whether we want to or not, whether we long for or fear our dreaming-people make art and are drawn to art.

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All organisms are inherently sovereign. All organisms resist harm and repair damage. This is our nature. And our nature is to tell stories about it. Because the story of what is broken becomes something whole. The story of what was forgotten becomes memory. The story of how we survived becomes communal medicine. The story of what we lost becomes new soil. The story of how we are the same as everyone and the story of how we are unique are a braided lifeline. ("The Truths Our Bodies Tell")

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