What looks like politics, and imagines itself to be political, will one day unmask itself as a religious movement. - Søren Kierkegaard

When it is stated in Genesis that God said to Adam, “Only from the tree of the knowledge of good and evil you must not eat,” it follows as a matter of course that Adam really has not understood this word, for how could he understand the difference between good and evil when this distinction would follow as a consequence of the enjoyment of the fruit. When it is assumed that the prohibition awakens the desire one acquires knowledge instead of ignorance, and in that case Adam must have had knowledge of freedom, because the desire was to use it. The explanation is therefore subsequent. The prohibition induces in him anxiety, for the prohibition awakens in him freedom’s possibility. What passed by innocence as the nothing of anxiety has now entered into Adam, and here again it is a nothing-the anxious possibility of being able. He has no conception of what he is able to do; otherwise-and this it what usually happens-that which comes later, the difference between good and evil, would have to be presupposed. Only the possibility of being able is present as a higher form of ignorance, as a higher expression of anxiety, because in a higher sense it both is and is not, because in a higher sense he both loves it and flees from it.

So now begins the first war with Cordelia' in which I retreat and thereby teach her to be victorious as she pursues me. I continually fall back, and in this backward movement I teach her to know through me all the powers of erotic love, its turbulent thoughts' its passion, what longing is, and hope, and impatient expectancy. As I perform this set of steps before her' all this will correspondingly in her' It is a triumphant procession in which I am leading her, and I myself am just as much the one who dithyrambically sings praises to her victory as I am the one who shows the way. She will gain courage to believe in erotic love, to believe it is an etemal force, when she sees its dominion over me, sees my movements. She will believe me, partly because I rely on my artistry, and partly because at the bottom of what I am doing there is truth. If that were not the case, she would not believe me. With my every move, she becomes stronger and stronger; love is awakening in her soul; she is being enthroned in her meaning as a woman

The truth is a snare: you cannot have it, without being caught. You cannot have the truth in such a way that you catch it, but only in such a way that it catches you.