29 Quotes Tagged: seduction
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The second hugely seductive move is to signal that we view the other person with a mixture of tenderness and realism. It’s often imagined that it’ll be seductive to convey an air of adoration, to hint that the other strikes us as exceptionally attractive or accomplished. But surprisingly, it is deeply worrying to be obviously adored, because everyone, from the inside, knows very well that they don’t deserve intense acclaim, are often disappointing and sometimes quite simply pitiful.
So seduction involves suggesting both that one likes the other person a lot – and yet can see their frailty quite clearly, that one cope with it and forgive it with gentle indulgence. One might, towards the end of the evening drop in a small warm tease that alludes to our understanding of some less than perfect side of them: ‘I suppose you stayed under the duvet feeling a bit sorry for yourself after that?’ we might ask, with a benign smile.
Such a gesture implies that we like another person not under a mistaken notion that they are flawless but with a full and unfrightened appreciation of their frailties. That ends up being powerfully seductive because it is, first and foremost, reassuring. It suggests the ideal way that we would like someone to view us within the testing conditions of a real relationship. We crave not admiration, but to be properly known and yet still liked and forgiven.
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The majority enjoy a young girl as they enjoy a glass of champagne, at one effervescent moment-oh, yes, that is really beautiful, and with many a young girl that is undoubtedly the most one can attain, but here there is more. If an individual is too fragile to stand clarity and transparency, well, then one enjoys what is unclear, but apparently she can stand it. The more devotedness one can bring to erotic love, the more interesting. This momentary enjoyment is a rape, even if not outwardly but nevertheless mentally, and in a rape there is only imagined enjoyment; it is like a stolen kiss, something nondescript. No, if one can bring it to a point where a girl has but one task for her freedom, to give herself, so that she feels her whole happiness in this, so that she practically begs for this devotedness and yet is free-only then is there enjoyment, but this always takes a discerning touch
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In vain do we seek tranquility in the desert; temptations are always with us; our passions, represented by the demons, never let us alone: those monsters created by the heart, those illusions produced by the mind, those vain specters that are our errors and our lies always appear before us to seduce us; they attack us even in our fasting or our mortifications, in other words, in our very strength.
I once knew of a girl whose story forms the substance of the diary. Whether he has seduced others I do not know... we learn of his desire for something altogether arbitrary. With the help of his mental gifts he knew how to tempt a girl to draw her to him without caring to possess her in any stricter sense.
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I can imagine him able to bring a girl to the point where he was sure she would sacrifice all then he would leave without a word let a lone a declaration a promise.
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The unhappy girl would retain the consciousness of it with double bitterness because there was not the slightest thing she could appeal to. She could only be constantly tossed about in a terrible witches' dance at one moment reproaching herself forgiving him at another reproaching him and then since the relationship would only have been actual in a figurative sense she would constantly have to contend with the doubt that the whole thing might only have been an imagination.</p>
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I shall be your poet! I do not want to be a poet for others; make your appearance, and I shall be your poet. I shall eat my own poem, and that will be my food. Or do you find me unworthy? Just as a temple dancer dances to the honor of the god Gudutl, so I have consecrated myself to your service; light, thinly clad, limber, unarmed, I renounce everything. I own nothing; I desire to own nothing; I love nothing; I have nothing to lose-but have I not thereby become more worthy of you, you who long ago must have been tired of depriving people of what they love, tired of their craven sniveling and craven pleading. Surprise me-I am ready
The key to such power is ambiguity. In a society where the roles everyone plays are obvious, the refusal to conform to any standard will excite interest. Be both masculine and feminine, impudent and charming, subtle and outrageous. Let other people worry about being socially acceptable; those types are a dime a dozen, and you are after a power greater than they can imagine.