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" "My first informed impression, and what I would like to achieve, I can perhaps only realize when I am impelled as in a vision. One of my figures, perhaps one from the Temptation, sang his strange song to me one night – ..We are playing hide-and-seek, we are playing hide-and-seek across a thousand seas, we gods.. ..when the skies are red in the middle of the night, when the skies are red at night. You cannot see us, you cannot see us but you are ourselves.. ..that is what makes us laugh so gaily.. .Stars are our eyes and nebulae our beards.. ..we have people's souls for our hearts. We hide ourselves and you cannot see us, which is just what we want.
Max Beckmann (February 12, 1884 – December 28, 1950) was a German painter and print-maker. Although he is classified as an Expressionist artist, he rejected both the term and the movement. In the 1920s Beckmann was temporarily and wrongly associated with German New Objectivity (Neue Sachlichkeit).
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Everything intellectual and transcendent is joined together in painting by the uninterrupted labour of the eyes. Each shade of a flower, a face, a tree, a fruit, a sea, a mountain, is noted eagerly by the intensity of the senses to which is added, in a way of which we are not conscious, the work of the mind, and in the end the strength or weakness of the soul.. .It is the strength of soul which forces the mind to constant exercise to widen its conception of space. Something of this is perhaps contained in my pictures.
The editor of this catalog asked me to make a statement about my work. I don't have much to write:
- Be a child of your age.
- Be naturalistic against your own ego.
- Be matter-of- fact toward your inner visions
- My love is dedicated to the four great masters of masculine mysticism: Mäleskirchener ([church-painters / muralists, Grünewald, Breughel [both famous painters in the late Middle Ages, ed.] and Van Gogh.