to have compassion (co-feeling) means not only to be able to live with other's misfortune but also to feel with him any emotion -joy , anxiety, happi… - Milan Kundera

His overriding life necessity was not love, it was his profession…He had come to medicine not by coincidence or calculation but by a deep inner desire. Insofar as it is possible to divide people into categories, the surest criterion is the deep-seated desires that orient them to one or another lifelong activity. Every Frenchman is different. But all the actors the world over are similar.

No one can get reall drunk on a novle or a painting, but who can help getting drunk on Beethoven's night, Bartok's Sonata for two Pianos and percussion or the Beatles' White Album? He loved mozart as much as rock.
He considered music a liberating force, it liberated him from lonliness, introversion, the dust of the library; it opened the door of hi body and allowed his soul to step out into the world to make friends, He loved to dance an regretted that Sabina did not share his passion

They [human lives] are composed like music. Guided by his sense of beauty, an individual transforms a fortuitous occurrence (Beethoven’s music, death under a train) into a motif, which then assumes a permanent place in the composition of the individual’s life. Anna could have chosen another way to take her life. But the motif of death and the railway station, unforgettably bound to the birth of love, enticed her in her hour of despair with its dark beauty. Without realizing it, the individual composes his life according to the laws of beauty even in times of greatest distress.
It is wrong, then, to chide the novel for being fascinated by mysterious coincidences (like the meeting of Anna, Vronsky, the railway station, and death or the meeting of Beethoven, Tomas, Tereza, and the cognac), but it is right to chide man for being blind to such coincidences in his daily life. For he thereby deprives his life a dimension of beauty.