He picked at the thick rims of dirt under his nails. This decline, both of himself and his surroundings, was almost to be welcomed. In a way he was f… - J. G. Ballard

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He picked at the thick rims of dirt under his nails. This decline, both of himself and his surroundings, was almost to be welcomed. In a way he was forcing himself down these steepening gradients, like someone descending into a forbidden valley. The dirt on his hands, his stale clothes and declining hygiene, his fading interest in food and drink, all helped to expose a more real version of himself.

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About J. G. Ballard

James Graham Ballard (15 November 1930 – 19 April 2009) was a British novelist and short story writer who was a prominent member of the New Wave in science fiction. Among his most famous books are the controversial Crash, High-Rise and the autobiographical novel Empire of the Sun, all of which have been adapted to film.

Biography information from Wikiquote

Also Known As

Native Name: James Graham Ballard
Alternative Names: James Graham "J. G." Ballard

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Additional quotes by J. G. Ballard

When he had first met her, Royal had taken for granted her absolute self-confidence, but in fact the reverse was true - far from being sure of herself, Anne needed constantly to re-establish her position on the top rung of the ladder. By comparison, the professional people around her, who had achieved everything as a result of their own talents, were models of self-assurance

I think the key image of the 20th century is the man in the motor car. It sums up everything: the elements of speed, drama, aggression, the junction of advertising and consumer goods with the technological landscape. The sense of violence and desire, power and energy; the shared experience of moving together through an elaborately signalled landscape. We spend a substantial part of our lives in the motor car, and the experience of driving condenses many of the experiences of being a human being in the 1970s, the marriage of the physical aspects of ourselves with the imaginative and technological aspects of our lives. I think the 20th century reaches its highest expression on the highway. Everything is there: the speed and violence of our age; the strange love affair with the machine, with its own death.

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