If I write a crappy comic book, it doesn't cost the budget of an emergent Third World nation. When you've got these kinds of sums involved in creating another two hours of entertainment for Western teenagers, I feel it crosses the line from being merely distasteful to being wrong. To paint comic books as childish and illiterate is lazy. A lot of comic books are very literate — unlike most films.

What's wrong with readin' comic books? I don't understand this kiddin' about readin' comic books. When I get through with 'em the other players on our club borrow them from me. Nobody makes a fuss about that.

I don’t want to read modern comics, comics that are made today. I take care not to read too many contemporary comics, because I’m afraid it will influence me. Or it will complex me in a way. I see someone doing something great and I will say, “Oh, my god, I am shit — what am I doing?” So I prefer not to read them. Sometimes, when it appears to be incredible, I will read it — but I’m very afraid of reading modern comics. I read only old things and things I liked when I was young…

One of the problems I see with these comics on television, particularly cable television, is, since you can say anything in terms of sex and scatological references and so on, therefore, you should do it. So they all limit themselves to these subjects and this vocabulary. My objection is that it is a lack of articulateness … Irreverence is easy, but what is hard is wit. Wit is what these comedians lack.

To paint comic books as childish and illiterate is lazy. A lot of comic books are very literate — unlike most films.

Comics, they say, are not literature – adventure strips lack artistic form, mental substance, and emotional appeal to any but the most moronic of minds. Can it be that 100,000,000 Americans are morons? Possibly so; but there seems to be a simpler explanation. Nine humans out of ten react first with their feelings rather than with their minds; the more primitive the emotion stimulated, the stronger the reaction. Comics play a trite but lusty tune on the C natural keys of human nature. They rouse the most primitive, but also the most powerful, reverberations in the noisy cranial sound-box of consciousness, drowning out more subtle symphonies. Comics scorn finesse, thereby incurring the wrath of linguistic adepts.

…When I read comics, I’m helping people to appreciate the power of pictures with words, and of words with pictures. Reading a comic, or a graphic novel, is different from reading a novel or describing a picture book. I care about pace, setting, tension, and the lives of my characters. I need to let my drawings speak for themselves while also narrating a story that benefits from this interplay of picture and verse…

To think that the internet allowing fans to feel that they are “not alone as readers” plays to the “clubhouse” mentality that is a large part of what’s wrong with comics today. When you have isolated fans, reading the books on their own and not knowing (or much caring) if anybody else is, then the prime reason for reading is enjoyment—it’s all about the books themselves. It’s not about “getting together” with fellow fans to dissect and deconstruct...

People think you’re crazy if you talk about things they don’t understand.

People think you're crazy if you talk about things they don't understand.

The 'medium' is unaware of its attractiveness, that's all. Everyone loves comics. I've proven this to my own satisfaction by handing them out to acountants, insurance brokers, hairdressers, mothers of children, black belts, pop stars, taxi drivers, painters, lesbians, doctors etc. etc. The X-Files, Buffy, the Matrix, X-Men - mainstream culture is not what it once was when science fiction and comics fans huddled in cellars like Gnostic Christians dodging the Romans. We should come up into the light soon before we suffocate.

I must admit to being increasingly deranged by the kinds of bizarre myths which have grown like moss around my name in comics fan circles - I keep coming up against this idiot savant image; me reflected back at myself as a shambling, incoherent drug addict, wanking and drooling out meaningless gibberish which can only be understood by 'those lying bastards' who claim they can see 'Magic Eye' 3-d pictures and wee men reading the news on the TV. (2004) Popimage interview

even if the comics are hyperbolic and insane, I have very serious intentions with them, and I do aspire to the trajectory of Jewish literary and intellectual culture. And I know it’s a glib answer, but when people ask me who my readership is, the obvious answer is me and my friends, but the longer answer is ghosts from the past and ghosts from the future. As far as the past, I’m mesmerized by the kinds of writings and cultural output that was being created in Central Europe in the early 20th century, and I like to think that my comics are a reflection of and a debate with that.

“The trouble with you youngsters,” Joe said, “is that if you can’t understand a thing right off, you think it can’t be true. The trouble with your elders is, anything they didn’t understand they reinterpreted to mean something else and then thought they understood it. None of you has tried believing clear words the way they were written and then tried to understand them on that basis. Oh, no, you’re all too bloody smart for that—if you can’t see it right off, it ain’t so—it must mean something different.”