American political cartoonist
Eli Valley (born in 1970) is an artist who is Jewish and lives in New York City, USA.
From: Wikiquote (CC BY-SA 4.0)
They’ve been defining authenticity for so long, but they’re outside the sphere of mainstream political opinion. My fantasy is to flip the script. Why don’t we start admitting the obvious? That we are the authentic Jews. We embody the Jewish values of the past several hundred years of post-enlightenment Jewish history. These neo-cons are the aberration. They should stop speaking for us, but maybe it’s time to stop including them in the community. There’s so much focus in the Jewish world on Klal Yisrael, which basically means peoplehood. Under the guise of Klal Yisrael, we‘ve been conversing endlessly with each other in the spirit of inclusion, all while apartheid was being codified in the West Bank. Over how many years, decades, or centuries are we supposed to be in dialogue with people who not only refuse to acknowledge our authenticity but who are all-in in a project of ethnic-cleansing?
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This whole “both sides” needs of journalists, it’s so outside the parameters, or even the metaphysics, of satire. I’m not here to present both sides. I’m here to make an argument. It also gets to the whole idea of punching the downtrodden, you know? It’s like, “Let’s try to understand why the person in power is supporting policies that are disenfranchising entire communities. Let’s try and see their point of view — for our satire.” No, actually, we don’t need to do that for our satire.
thinking that they’re the authentic ones, because implicit in that is that we are somehow deficient. And honestly, if there’s no other point to Diaspora Boy, it’s to say we are not deficient. We are authentic. Honestly, it’s crazy that that should be a radical thought. That should be self-evident. But it needs to be said.
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I call Trump Netanyahu with smaller hands in the introduction. Netanyahu shares a lot in common with Trump. Including demagoguery, bigotry, attacks on the press, attacks on institutions of democracy, attacks on human rights organizations. I don’t know if Trump has gone that far yet, but he will. It’s a similar method of autocrats. It was inconceivable to me for the past ten years that anyone in a Jewish communal organization or institution would allow Netanyahu into its doors, because he’s the kind of thing that we have feared. And yet, he’s the head of the Jewish state.
(What would it mean to have a leftist Jewish community that doesn’t always have to be so reactive — one that’s not always on the defense against conservative Jewish gatekeepers?) It would be as diverse as the Jewish community is today, with all the different strands, fluid identities, and multicultural expressions. Some of it would be nostalgic, reinventing nostalgia, some would explore inter-generational tensions, some would be based on new Jewish experiences and encounters.
(On the question of authenticity there is also a leftist Jewish trend to try and go back to a time before assimilation. For example learning Yiddish and reconnecting to a culture that existed before the holocaust. Is this trend trying to uphold a romantic idealized version of Judaism that cannot exist anymore?) I don’t think learning Yiddish and whatever else they’re doing is pre-assimilation. Jews were speaking Yiddish when they were assimilated. The problem today is that the main Yiddish speakers are Hasidic, but we forget that in New York and Warsaw before the war there were tons of Yiddish speakers who were assimilated. It was more the language of cultural autonomy. The larger debate is something I grapple with too, and it goes back to your question about living off the fumes of a dead culture. But for most cultures, in order to create something new you need to be well steeped in the roots and branches of what came before. So I don’t think it’s simply nostalgia. I think they‘re learning Yiddish as a galvanizing point in order to bound forward with something new, whatever that might be.
in general brainwashing begets brainwashing. In terms of liberal Jews who check their progressive values at the door when it comes to Israel, it’s fear and guilt: If we object to Israel’s policies, then we must hate ourselves, and we don’t want to be considered self-hating. For those with an emotional connection to Israel, they might do a cost-benefit analysis. They say, if it‘s my people or the Palestinian people, then someone’s gonna have to lose out, and it’s gonna be them. That’s even further then a lot of people ever get with this. For a lot of people it’s just an emotional level based on educational experiences they’ve had since they were children. When some people start admitting that this is not the ideal they’ve been taught, they rationalize it by saying, the Palestinians are to blame.
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(Is Israel a particularly prescient example for the rise of right-wing politics across the world?) Yes, especially because of the ethno-nationalist aspect. It’s one of the reasons Israel has made these horrifying alliances with right-wing and sometimes even overtly anti-Semitic movements throughout the world. Including in America, but also in Europe. It was such a shanda when Netanyahu acquiesced to the Hungarian government’s extremist, right-wing, anti-Soros, anti-Semitic campaign — but really it just showed his true colors. Can we start calling Netanyahu an anti-Semite? Are we allowed to do that yet? Or is that going too far?... He certainly prefers Evangelicals to Jews.
Basically I love over the top. I love insanity. I think that the political debates I’m satirizing are insane, so I tweak them a little bit to make it a distorted mirror of reality. The specific antecedents are the Mad Magazine comics of the 1950’s which lampooned a lot of the sacred institutions of Americana in a period of mass commercialization and consumption — things like Mickey Mouse, which they made into Mickey Rodent, or Archie, they went after all these popular cultural bulwarks, and they just eviscerated them. While they were making fun of both the comics or television shows or movies themselves, they were also using them as a way to satirize elements of a capitalist society at the time including McCarthy. So the early Mad comics were an intense inspiration from that perspective, but also the perspective of the actual method of the two stalwarts that were Harvey Kurtzman and Will Elder. With Will Elder, in particular, it was the way he drew, it was so beautiful and intricate but also so wild and out of this world in terms of the way he would pack every panel with so many different details and asides and illusions.