even if the comics are hyperbolic and insane, I have very serious intentions with them, and I do aspire to the trajectory of Jewish literary and inte… - Eli Valley

it’s horrifying that people who helped pave the way toward where we are are still in leadership positions. So the reckoning I see is this fissure. I think of Gershom Scholem’s On Jews and Judaism in Crisis. The subtitle of my book — Comics on Crisis in America and Israel — is a nod to his reference to crisis.

the Gaza War in 2014...I know a lot of people became activists during that period. That’s actually when IfNotNow emerged.

Basically I love over the top. I love insanity. I think that the political debates I’m satirizing are insane, so I tweak them a little bit to make it a distorted mirror of reality. The specific antecedents are the Mad Magazine comics of the 1950’s which lampooned a lot of the sacred institutions of Americana in a period of mass commercialization and consumption — things like Mickey Mouse, which they made into Mickey Rodent, or Archie, they went after all these popular cultural bulwarks, and they just eviscerated them. While they were making fun of both the comics or television shows or movies themselves, they were also using them as a way to satirize elements of a capitalist society at the time including McCarthy. So the early Mad comics were an intense inspiration from that perspective, but also the perspective of the actual method of the two stalwarts that were Harvey Kurtzman and Will Elder. With Will Elder, in particular, it was the way he drew, it was so beautiful and intricate but also so wild and out of this world in terms of the way he would pack every panel with so many different details and asides and illusions.