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" "I keep looking, looking. Trying to understand. Trying to give what I have gone through to someone else, and I don't know who, but I don't want to be alone with that experience. I don't know what to do with it, I'm terrified of that profound disorganization. I'm not sure I even believe in what happened to me. Did something happen, and did I, because I didn't know how to experience it, end up experiencing something else instead? It's that something that I'd like to call disorganization, and then I'd have the confidence to venture forth because I would know where to come back to: to the prior organization. I prefer to call it disorganization because I don't want to ground myself in what I experienced-in that grounding I would lose the world as it was for me before, and I know that I don't have the capacity for another one. (beginning)
Clarice Lispector (born Chaya Pinkhasivna Lispector; December 10, 1920 – December 9, 1977) was a Brazilian writer. Acclaimed internationally for her innovative novels and short stories, she was also a journalist and a translator. A legendary figure in Brazil, renowned for her uncommon and unique writing style, her great personal beauty — the American translator Gregory Rabassa recalled being "flabbergasted to meet that rare person who looked like Marlene Dietrich and wrote like Virginia Woolf," — and her eccentric personality.
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There were many good feelings. Climbing the hill, stopping at the top and, without looking, feeling the ground covered behind her, the farm in the distance. The wind ruffling her clothes, her hair. Her arms free, heart closing and opening wildly, but her face bright and serene under the sun. And knowing above all that the earth beneath her feet was so deep and so secret that she need not fear the invasion of understanding dissolving its mystery. This feeling had a quality of glory. (p36)
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