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If you tie Handel's hands by debarring him from the rendering of human emotion, and if you set Bach's free by giving him no human emotion to render — if, in fact, you rob Handel of his opportunities and Bach of his difficulties — the two men can fight after a fashion, but Handel will even so come off victorious.
And so these men of Hindustan Disputed loud and long, Each in his own opinion Exceeding stiff and strong, Though each was partly in the right And all were in the wrong. <p> So oft in theologic wars, The disputants, I ween, Rail on in utter ignorance Of what each other mean, And prate about an Elephant Not one of them has seen!
They accuse me — Me — the present writer of
The present poem — of — I know not what, — A tendency to under-rate and scoff
At human power and virtue, and all that;
And this they say in language rather rough.
Good God! I wonder what they would be at!
I say no more than has been said in Dante's
Verse, and by Solomon and by Cervantes;
By Swift, by Machiavel, by Rochefoucault;
By Fenelon, by Luther and by Plato;
By Tillotson, and Wesley, and Rousseau,
Who knew this life was not worth a potato.
'Tis not their fault, nor mine, if this be so — For my part, I pretend not to be Cato,
Nor even Diogenes. — We live and die,
But which is best, you know no more than I.
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