in German: Ich bin Frau, bin bar jeder Schöpfung. Ich kann verstehen und kann nichts schaffen.. .Mir fehlen die Worte, um meine Ideal auszudücken. Ic… - Marianne von Werefkin
" "in German: Ich bin Frau, bin bar jeder Schöpfung. Ich kann verstehen und kann nichts schaffen.. .Mir fehlen die Worte, um meine Ideal auszudücken. Ich suche den Menschen, den Mann, der diesem Ideal Gestalt geben würde. Als Frau, verlangend nach demjenigen, der ihrer inneren Welt Ausdruck geben sollte, traf ich Jawlensky...
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About Marianne von Werefkin
Marianne von Werefkin (10 September 1860, Tula, Russia – 6 February 1938, Ascona, Switzerland) was a Russian-German-Swiss Expressionist painter and important contributor in the Munich artist-group Der Blaue Reiter. At the outbreak of the First World War, Werefkin and Jawlensky immigrated to Switzerland; in 1921 they separated. Werefkin stayed in Ascona, on Lago Maggiore where she painted her colorful imaginative landscapes in an expressionist style, till her death.
Also Known As
Alternative Names:
Marianna Vladimirovna Werefkin
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Marianne Werefkin
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Marianne Von Werefkin
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Marianna Vladimirovna Werefkina
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Marianna Vladimirovna Verevkina
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Marianne Von Werefkina
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M. v. Werefkin
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Marianna Wladimirowna Werewkina
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Additional quotes by Marianne von Werefkin
Art is not hysteria. Art is as natural to man as is thought, it is a normal function of his brain. Art is observation and consciousness. It is not an instinct, vague, indecisive, sickly. Art is an eternal source – life, and an unlimited expression, the individual. These two elements, well-adapted, make masterpieces.. .All speech that a human being finds to give a new impression is of art. Why believe that the speech must be epileptic to become art?.. .Such is art. It is the product of life and the individual. It is born from their clash, from the received impression. But this impression is made once, for then it is no longer, neither life nor the individual..
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In: Lettres à un Inconnu, 1902 (Notebook I, p. 234) - Aux sources de l'expressionnisme. Presentation par Gabrielle Dufour-Kowalska. Klincksieck, 1999. p. 101
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