The Greek tradition was a complete contrast to that of the Far East. ...the Greeks placed logic at the pinnacle of human thinking. Their sceptical at… - John Barrow

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The Greek tradition was a complete contrast to that of the Far East. ...the Greeks placed logic at the pinnacle of human thinking. Their sceptical attitude towards the wielding of 'non-being' as some sort of 'something' that could be subject to logical development was exemplified by Parmenides' influential arguments against the concept of empty space. ...He maintained that you can only speak about what is: what is not cannot be thought of, and what cannot be thought of cannot be. ...more unexpected was the further conclusion that time, motion nor change could exist either.

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About John Barrow

John David Barrow, FRS (November 29, 1952 – September 27, 2020) was an English cosmologist, theoretical physicist, mathematician, writer of popular science, and an amateur playwright.

Also Known As

Native Name: John David Barrow
Alternative Names: John D. Barrow

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Gods reappear in unlimited numbers in the guise of the simulators who have the power of life and death over the simulated realities that they bring into being. The simulators determine the laws, and can change the laws, that govern their worlds. They can engineer anthropic fine-tunings. They can pull the plug on the simulation at any moment, intervene or distance themselves from their simulation; watch as the simulated creatures argue about whether there is a god who controls or intervenes, work miracles or impose their ethical principles upon the simulated reality.

If one looks at the special problems that were the mainsprings of progress along the oldest and most persistent lines of human inquiry, then one finds Nothing, suitably disguised as something, never far from the centre of things.

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Highly correlated brown and black noise patterns do not seem to have seem to have attractive counterparts in the visual arts. There, over-correlation is the order of the day, because it creates the same dramatic associations that we find in attractive natural scenery, or in the juxtaposition of symbols. Somehow, it is tediously predictable when cast in a one-dimensional medium, like sound.

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