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" "Forget Indian cinema, especially Bollywood cinema, which sells titillating products. It is no different with those who write Lavanis. But why do those who write serious literature indulge in titillation of a different kind? Why aren’t they faithful to historical truths? Why don’t they escape from the clutches of historians committed to their ideology and use their independent critical faculties to study and understand historical evidence? S. Shettar (past Chairman of the ICHR) who justifies Girish Karnad says, “In his play about Tipu, Girish Karnad has kept only the play in view and has tried to explore the good qualities of Tipu. Historians, playwrights, and creative artists each have their own ideals.” What are the differences between ideology and ideal here? The litterateur can somehow escape using the parachute of convenience called ideal. However, if a historian too tries to use this convenience, what will be the fate of historical truths? Marxist historians just don’t seem to understand the importance and subtlety of this question. The less said about the litterateurs who are in their clutches the better.
Santeshivara Lingannaiah Bhyrappa (20 August 1931 – 24 September 2025) was an Indian novelist, philosopher and screenwriter who wrote in Kannada. His work is popular in the state of Karnataka and he is widely regarded as one of modern India's popular novelists. His novels are unique in terms of theme, structure, and characterization. He has been among the top-selling authors in the Kannada language and his books have been translated into Hindi and Marathi which have also been sellers.
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Two NCERT textbooks serve as good examples to expose the design of this Marxist group to assault the minds of growing and impressionable children. Both were written by Marxist historians and prescribed as Class XI textbooks. The first is Ancient India by R.S. Sharma, and the other is Medieval India by Satish Chandra. According to them, Ashoka’s policy of religious toleration included extending respect even to Brahmins. Because Ashoka had prohibited the slaughter of animals and birds, the livelihood of Brahmins, which depended on the dakshina they received for conducting Homas and Havans, was threatened. After Ashoka, Brahmins ruled over several parts of the splintered Mauryan Empire. This immature reasoning extends even to the temples that were destroyed by Muslim invaders. The reasoning given is that temples were destroyed because the Muslim invaders wanted to loot the enormous wealth they contained! In other cases, it says that temple destructions occurred because of the Sharia law. However, Dr. B.R. Ambedkar in the Decline and Fall of Buddhism (Writings and Speeches, Volume III, Government of Maharashtra, 1987 PP229-38) narrates how Muslim raiders razed to the ground the great Buddhist universities of Nalanda, Vikramashila, Jagaddala, Odantapuri, etc, and committed the genocide of hundreds of thousands of Buddhist monks. Those who managed to escape this mass murder fled to Nepal and Tibet. Dr. Ambedkar then remarks, “The axe fell upon the roots of Buddhism. By killing the priestly class of the Buddhists, Islam killed Buddhism itself. This is the most brutal calamity visited upon Buddhism in India.” When it suits their Hindu-baiting purposes, these Marxists selectively quote Dr. Ambedkar. However, they actively suppress the same Ambedkar—who fought against the Hindu Varna system and became a Buddhist towards the end of his life—who says that Muslims were responsible for the brutal destruction of Buddhism in India.
Tipu actually wrote to the Afghan king Jaman Shah and the Caliph of Turkey to invade India and establish the rule of Islam. In his infamous sack of the Mysore palace in 1796, he rounded up the entire palace library containing invaluable ancient Hindu palm-leaf manuscripts, inscriptions, papers, and books, and ordered them to be burnt as fuel to boil gram, which was then used to feed horses.
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The tactics of Marxists to capture power in all spheres and at all levels is no different from that of caste politics, which has proved to be a curse upon India. They appoint people sympathetic to their ideology in universities, infiltrate print and television media with their fellow travelers, write glowing reviews of books written by authors loyal to their ideology, sideline authors who hold opposing or alternate views, organize ideologically-motivated seminars and camps to attract young minds to their side, exert influence on the Government to give out awards to people who follow their ideology…they have done this in a systematic manner. Critiquing a literary work by using ideology as the yardstick is the method of literary criticism that Marxists introduced in India. By doing this, they feel they have destroyed traditional measures and conceptions of literary criticism such as Rasa (Feeling or Emotion), Dhwani (Suggestion), and Auchitya (Appropriateness).