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I learned to distrust the smiles that abounded at those social events. As soon as Grandma returned home from the party and put on her housecoat, her true colors emerged. Her face reflected an existence full of suffering, yoked to the side of a silent husband and daughters who fought like wild beasts, feeding on their insatiable bitterness.

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I was observing her closely as I talked, and after a while I began to get the impression that she was not, in fact, quite so merry and smiling a girl as I had been led to believe at first. She seemed to be coiled in herself, as though with a secret she was jealously guarding. The deep-blue eyes moved too quickly about the room, never settling or resting on one thing for more than a moment; and over all her face, though so faint that they might not even have been there, those small downward lines of sorrow.

Behind every sweet smile, there is a bitter sadness that no one can see and feel.

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I was ashamed of myself when I realised life was a costume party and I attended with my real face

"Conor's grandma wasn't like other grandmas. He'd met Lily's grandma loads of times, and she was how grandmas were supposed to be: crinkly and smiley, with white hair and the whole lot. She cooked meals where she made three separate eternally boiled vegetable portions for everybody and would giggle in the corner at Christmas with a small glass of sherry and a paper crown on her head.

Conor's grandma wore tailored trouser suits, dyed her hair to keep out the grey, and said things that made no sense at all, like "Sixty is the new fifty" or "Classic cars need the most expensive polish." What did that even mean? She emailed birthday cards, would argue with waiters over wine, and still had a job. Her house was even worse, filled with expensive old things you could never touch, like a clock she wouldn't even let the cleaning lady dust. Which was another thing. What kind of grandma had a cleaning lady?"

[M]y grandmother who was [often] sick.. and broke bones more times than I can count because of her , was in agony much of the time. ...She'd come home from the hospital... and just moving was extraordinarily painful for her; and my grandfather could not tolerate it. ...[I]t impinged on this idea... that everything had to be great at all times... [T]he only people who suffered for that were the people who were actually in pain... anybody... in the family who showed the weakness of being human.

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"my mother, poor fish,
wanting to be happy, beaten two or three times a
week, telling me to be happy: "Henry, smile!
why don't you ever smile?"

and then she would smile, to show me how, and it was the
saddest smile I ever saw"

My happy disposition completely changed after Mamma's death. I, once so full of life, became timid and retiring, sensitive to an excessive degree. One look was enough to reduce me to tears, and the only way I was content was to be left completely alone. I could not bear the company of strangers and found my joy only within the intimacy of the family.

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Her face had the usual fulness of expression which is developed by a life of solitude. Where the eyes of a multitude continuously beat like waves upon a countenance they seem to wear away its mobile power ; but in the still water of privacy every feeling and sentiment unfolds in visible luxuriance, to be interpreted as readily as a printed word by an intruder. In years she was no more than nineteen or twenty, but the necessity of taking thought at a too early period of life had forced the provisional curves of her childhood's face to a premature finality.

She was no longer that happy creature who in earlier youth wandered with me on the banks of the lake and talked with ecstasy of our future prospects. The first of those sorrows which are sent to wean us from the earth had visited her, and its dimming influence quenched her dearest smiles.

A title as meaningless as the woman bearing it. The Empress—just another face she’d seen somewhere before, a mask behind which someone hid from mortality.
“No use hiding,” she whispered, frowning down at the dead leaves and branches around her. “No use.”

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