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" "Perhaps our planet is for learning to appreciate the extraordinary wonder of life that surrounds even our suffering, and to say Yes, if through the thickest of tears. — Alice Walker, from the foreword to Zora Neale
Hurston’s Barracoon
Tressie McMillan Cottom is an American writer, sociologist, and professor.
Biography information from Wikiquote
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The real criticism was directed at her turn to slavery: “back in the slave days I would’ve never been single. I am six feet tall and I am strong! I’m just saying back in the slave days my love life would have been way better. Massa would’ve hooked me up with the best brother on the plantation.” It hurts to watch the video.
It is the industrial complex of cosmetics, enhancements and services that promise individual women beauty. The idea that Big Beauty is evil but good men are nice is part of Big Beauty’s systematic charm. Big Beauty is just negging without the slimy actor. The constant destabilization of self is part and parcel of beauty’s effectiveness as a social construct. When a woman must consume the tastes of her social position to keep it, but cannot control the tastes that define said position, she is suspended in a state of being negged. A good man need only then to come along and capitalize on the moment of negging, exploit the value of negged women, and consume the beauty that negs. It is really quite neat, if you think about it.
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Beauty is not good capital. It compounds the oppression of gender. It constrains those who identify as women against their will. It costs money and demands money. It colonizes. It hurts. It is painful. It can never be fully satisfied. It is not useful for human flourishing. Beauty is, like all capital, merely valuable.