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" "And you don’t even have to utter this hate: most Hinduism-haters have perfected the art of claiming to love what they seek to destroy.
Koenraad Elst (born 7 August 1959) is a Flemish right wing Hindutva author, known primarily for his support of the Out of India theory and the Hindutva movement. Scholars have accused him of harboring Islamophobia.
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This shows the systematicity of secularist propaganda. While the Eminent Historians thought they could simply enforce their denial of Islamic iconoclasm, their American sympathizer Richard Eaton understood that at least some iconoclasm had to be admitted, but that the blame for it could be passed on to the Hindus. So he spun the story that a few cases of "idol abduction" by Hindu warlords, who re-installed captured icons in their own temples to continue their worship, amounted to the same thing as the thousandfold Islamic cases of destruction of icons. Immediately the secularists seized upon this story and propagated it through all channels. By contrast, my paper refuting this story was completely ignored by the Hindu militants, too smug and lazy to even take notice. The result in a sizable anti-Hindu switch in public opinion, even among common Hindus.
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A detail worth analyzing is how the age-old Sāṁkhya cosmological scheme of triguṇa, “three qualities”, authentically fits the famous parable of Camel-Lion-Child.... In Nietzsche’s Zarathustra, in the protagonist’s first sermon, he discusses the three transformations, the three phases of growth. Firstly, the human mind becomes a camel, slow and eager for heavy loads, obedient but strong, labouring and blindly following. This is evidently the pole tamas. Secondly, it becomes a lion, full of fury and passion, not obeying the “you should” commandment, but asserting his “I will” volition and his freedom. This is visibly the pole rajas. Finally, it becomes a child, light and innocent. This is the stage of transparency, of the third pole, sattva. This way, Nietzsche’s newfound simile actually corresponds to an age-old thought model, best articulated in Sāṁkhya.