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" "The sole religious orthodoxy permitted in our public schools is the separation of paper from plastic. Not so many miles from this beach, great-grandchildren of westering pioneers chain themselves to redwoods, martyrs of the new animism.
Richard Rodriguez (born 31 July 1944) Mexican-American writer, associate editor with the Pacific News Service in San Francisco, an essayist for The NewsHour with Jim Lehrer, and a contributing editor for Harper's magazine and the Los Angeles Times.
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Books should confuse. Literature abhors the typical. Literature flows to the particular, the mundane, the greasiness of paper, the taste of warm beer, the smell of onion or quince. Auden has a line: "Ports have names they call the sea." Just so will literature describe life familiarly, regionally, in terms life is accustomed to use — high or low matters not. Literature cannot by this impulse betray the grandeur of its subject — there is only one subject: What it feels like to be alive. Nothing is irrelevant. Nothing is typical.
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On the one side, the Mexican side, Mexican peasants are tantalized by the American possibility of change. On the other side, the American side, the tyranny of American optimism has driven Americans to neurosis and depression, when the dream is elusive or less meaningful than the myth promised. This constitutes the great irony of the Mexican-American border: American sadness has transformed the drug lords of Mexico into billionaires, even as the peasants of Mexico scramble through the darkness to find the American dream.