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His petty syllabi, the sounds that stick, Inevitably modulating, in the blood. And war for war, each has its gallant kind. <p>How simply the fictive hero becomes the real; How gladly with proper words the solider dies, If he must, or lives on the bread of faithful speech.

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The words of a dead man Are modified in the guts of the living.

In peace there's nothing so becomes a man as modest stillness and humility; but when the blast of war blows in our ears, then imitate the action of the tiger; stiffen the sinews, summon up the blood, disguise fair nature with hard-favor'd rage.

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Another effect of the continual appearance of false and biased statement and the absorption of the lie atmosphere is that deeds of real valour, heroism, and physical endurance and genuine cases of inevitable torture and suffering are contaminated and desecrated; the wonderful comradeship of the battlefield becomes almost polluted. Lying tongues cannot speak of deeds of sacrifice to show their beauty or value. So it is that the praise bestowed on heroism by Government and Press always jars, more especially when, as is generally the case with the latter, it is accompanied by cheap and vulgar sentimentality. That is why one instinctively wishes the real heroes to remain unrecognized, so that their record may not be smirched by cynical tongues and pens so well versed in falsehood.

Another effect of war is that as between the two contending voices, the one is given a megaphone, the other is muffled if not gagged. Papers and platforms are open to "patriotic" utterances as patriotism is understood by the jingo; the moderate is silenced not alone by the censor, not alone by social pressure, but also by his own sense of the effect abroad of all that gives an impression of internal division and of a readiness to quit the fight.

In the meanest mortal there lies something nobler. The poor swearing soldier, hired to be shot, has his "honor of a soldier," different from drill-regulations and the shilling a day. It is not to taste sweet things, but to do noble and true things, and vindicate himself under God's Heaven as a god-made Man, that the poorest son of Adam dimly longs. Show him the way of doing that, the dullest day-drudge kindles into a hero. They wrong man greatly who say he is to be seduced by ease.

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I don't make the infantryman look noble, because he couldn't look noble even if he tried. Still there is a certain nobility and dignity in combat soldiers and medical aid men with dirt in their ears. They are rough and their language gets coarse because they live a life stripped of convention and niceties. Their nobility and dignity come from the way they live unselfishly and risk their lives to help each other.

We poor tellers of tales have our moments too, it seems. Like great generals sitting upon horses upon the tops of hills and throwing troops into the arena, we throw the little soldier words into our battles.

He discusses his service in Iraq, the wounds he suffered there, and he says to me in this ad, "Until you have the guts to call me a 'phony soldier' to my face, stop telling lies about my service." You know, this is such a blatant use of a valiant combat veteran, lying to him about what I said, then strapping those lies to his belt, sending him out via the media in a TV ad to walk into as many people as he can walk into.

The Soldier is a farmer. He knows how to shape the earth. He is a carpenter; he erects ramparts and palisades. A miner, he digs trenches and tunnels; a mason, he chisels a road from a sheer face of stone. The Soldier is a physician who performs surgery without anesthetic, a priest who inters the dead without psalm. He is a philosopher who plumbs the mysteries of existence, a linguist who pronounces "pussy" in a dozen tongues. He is an architect and a demolition man, a fire brigadier and an incendiary. He is a beast who dwells in the dirt, a worm, owning a mouth and an anus and aught but appetite in between.

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