Fiorello Henrico LaGuardia, the most spectacular mayor the greatest city in the world has ever had, has characteristics and qualities so obvious that… - John Gunther

To a supreme degree Roosevelt had five qualifications for statesmanship: (a) courage; (b) patience, and an infinitely subtle sense of timing; (c) the capacity to see the very great in the very small, to relate the infinitesimal particular to the all-embracing general; (d) idealism, and a sense of fixed objectives; (e) the ability to give resolution to the minds of men. Also he had plenty of bad qualities- dilatoriness, two-sidedness (some critics would say plain dishonesty), pettiness in some personal relationships, inability to say No, love of improvisation, garrulousness, amateurism, and what has been called "cheerful vindictiveness." Amateurism?- in a particular way, yes. But do not forget that he was the most masterfully expert practical politician ever to function in this republic.

New York is the publishing center of the nation; it is the art, theater, musical, ballet, operatic center; it is the opinion center; it is the radio center; it is the style center. Hollywood? Hollywood is nothing more than a suburb of the Bronx, both financially and from a view of talent. Politically, socially, in the world of ideas and in the whole world of entertainment, which is a great American industry needless to say, New York sets the tone and pace of the entire nation. What books 140 million Americans will read is largely determined by New York reviewers. Most of the serious newspaper columns originate in or near New York; so do most of the gossip columns, which condition Americans from Mobile to Puget Sound to the same patterns of social behavior. In a broad variety of fields, from serous drama to what you will hear on a jukebox, it is what New York says that counts; New York Opinion is the hallmark of both intellectual and material success; to be accepted in this nation, New York acceptance must come first. I do not assert that this is necessarily a good thing. I say merely that it is true. One reason for all this is that New York, with its richly cosmopolitan population, provides such an appreciative audience. It admires artistic quality. It has a fine inward gleam for talent. Also New York is a wonderfully opulent center for bogus culture. One of its chief industries might be said to be the manufacture of reputations, many of them fraudulent.

One familiar Southern attitude is, "The Negro is our problem. We have to live with it, and let us solve it." Also Southerners say, "You can never understand it." Indeed, interference or advice from the North is tenaciously resented. Yet, no matter what the South may have done of itself, the record would certainly seem to indicate that it is not enough. Another familiar phenomenon is the "vicious circle" attitude. People refuse to give opportunities to a Negro, on the a priori assumption that he cannot make use of them, blaming him all the while. The pattern becomes, "We cannot train Negroes for this type of work, since they won't be able to do it if we train them!"