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" "This paucity of actors on the stage reflects the liturgical roots of Greek theater, which continued to stick close to its religious origins. … [A] machine, called the mēchanē, was a sort of crane that swung an actor playing a god over the parapet of the skēnē and out above the stage (thus the Latin phrase deus ex machina for a solution from nowhere, an unforeseen answer to prayers).
Thomas Cahill (1940 – October 18, 2022) was an American scholar and writer. He is best known for The Hinges of History series, a prospective seven-volume series in which the author recounts formative moments in Western civilization.
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If we could save one word from Greek civilization, it would have to be aretē, excellence. The aristocrats gave themselves their name, the aristoi (the best). It is an open question whether anyone considered himself a member of the kakoi (the worst, the craven, the dumb shits). though this put-down prances everywhere in the surviving literature. ...that shame—the paralyzing fear of being numbered among the kakoi—is the hidden engine that ran Greek life.
In another of history's terrible ironies, the barbarian influence on Western Christianity enlivened it beyond anything the diluted Greeks of Byzantium were now capable of. The mad barbarians pushed Western Christianity into retaining some of the plastic abundance, the inventive plasticity, the fathomless versatility that had once been incomparably characteristic of the Greeks.
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