That's the reason I always say about music, the blues are the roots and the other musics are the fruits. Without the roots, you have no fruits so it's better keeping the roots alive because it means better fruits from now on.

All music is the blues. All of it.

The blues is an art of ambiguity, an assertion of the irrepressibly human over all circumstances, whether created by others or by one's own human failing.

The blues is an impulse to keep the painful details and episodes of a brutal experience alive in one's aching consciousness, to finger its jagged grain, and to transcend it, not by the consolation of philosophy but by squeezing from it a near-tragic, near-comic lyricism. As a form, the blues is an autobiographical chronicle of personal catastrophe expressed lyrically.

The Blues? It's the mother of American music. That's what is is - the source.

It is from the blues that all that may be called American music derives its most distinctive characteristic.

As a little kid, blues meant hope, excitement, pure emotion. Blues were about feelings. They seem to bring out the feelings of the artist and they brought out my feelings as a kid. They made me wanna move, or sing, or pick up Reverend's guitar and figure out how to make those wonderful sounds.

[T]he painful details and episodes of a brutal experience alive in one's aching consciousness, to finger its jagged grain, and to transcend it, not by the consolation of philosophy, but by squeezing from it a near-tragic, near-comic lyricism. As a form the blues is an autobiographical chronicle of personal catastrophe expressed lyrically.

Blues. An American dance stemming from the Foxtrot, the speed of which it reduced and into which it brought a deliberately contrived dismal atmosphere. When Blues are sung their words seem to aim at attaining to the utmost depths of gloom and inanity.

The blues is relevant today because when we look down through the corridors of time, the black American interpretation of tragicomic hope in the face of dehumanizing hate and oppression will be seen as the only kind of hope that has any kind of maturity in a world of overwhelming barbarity and bestiality. That barbarity is found not just in the form of terrorism but in the form of the emptiness of our lives - in terms of the wasted human potential that we see around the world. In this sense, the blues is a great democratic contribution of black people to world history.

I could see the blues was about survival.

The Blues is an acoustic tear.

The blues is relevant today because when we look down through the corridors of time, the black American interpretation of tragicomic hope in the face of dehumanizing hate and oppression will be seen as the only kind of hope that has any kind of maturity in a world of overwhelming barbarity and bestiality. That barbarity is found not just in the form of terrorism but in the form of the emptiness of our lives - in terms of the wasted human potential that we see around the world. In this sense, the blues is a great democratic contribution of black people to world history. (p20)

I'm a bluesman moving through a blues-soaked America, a blues-soaked world, a planet where catastrophe and celebration- joy and pain sit side by side. The blues started off in some field, some plantation, in some mind, in some imagination, in some heart. The blues blew over to the next plantation, and then the next state. The blues went south to north, got electrified and even sanctified. The blues got mixed up with jazz and gospel and rock and roll.