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She knew she was being unfair...; she knew she was acting like the most vulgar of women, the kind that is out to cause pain and knows how.

I found myself doing this same thing — playing a role of having greater certainty and greater competence than I really possess. I can’t tell you how disgusted with myself I felt as I realized what I was doing: I was not being me, I was playing a part.

Perhaps she was afraid I was going to upstage the professionals, and the thing she later said about me being the worst dancer she’d ever worked with was a brilliant double-bluff, designed to spare their blushes.

The flattering, if arbitrary, label, First Lady of the Theatre, takes its toll. The demands are great, not only in energy but eventually in dramatic focus. It is difficult, if not impossible, for a star to occupy an inch of space without bursting seams, cramping everyone else’s style and unbalancing a play. No matter how self-effacing a famous player may be, he makes an entrance as a casual neighbor and the audience interest shifts to the house next door.

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I'm basically tired of doing what I have been doing for the last 10 years. My interest level was dipping. I was doing a fairly good job, when compared to others. The standards I have set for myself are higher. When I watched the Broadway show Miss Saigon, I was ashamed of being called an actress. The leading lady's performance was outstanding. I was ashamed that I am in the same profession but could not touch those heights.

The acting was always disappointing. Silly stories about nonsense people. I felt really cheated by acting, because I've never really felt anything from it. I don't wanna be the women on television, who are always nice and do the right thing. I want to be the woman who makes mistakes and gets away with it. The Night Porter is my favourite film. Charlotte Rampling is boiling with rage and going, "I can do it worse. I'm badder, and dirtier than you will ever be, and you'll never break me." And I just love that.

the Great Actor, capable of bringing herself to tears, may extort our admiration for her “accomplishment,” but she will never leave us stronger; she has made us pay a price, and made us pretend we like it, but we leave the theatre moved only by our capacity to be moved.

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