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The flattering, if arbitrary, label, First Lady of the Theatre, takes its toll. The demands are great, not only in energy but eventually in dramatic focus. It is difficult, if not impossible, for a star to occupy an inch of space without bursting seams, cramping everyone else’s style and unbalancing a play. No matter how self-effacing a famous player may be, he makes an entrance as a casual neighbor and the audience interest shifts to the house next door.
I'm basically tired of doing what I have been doing for the last 10 years. My interest level was dipping. I was doing a fairly good job, when compared to others. The standards I have set for myself are higher. When I watched the Broadway show Miss Saigon, I was ashamed of being called an actress. The leading lady's performance was outstanding. I was ashamed that I am in the same profession but could not touch those heights.
The acting was always disappointing. Silly stories about nonsense people. I felt really cheated by acting, because I've never really felt anything from it. I don't wanna be the women on television, who are always nice and do the right thing. I want to be the woman who makes mistakes and gets away with it. The Night Porter is my favourite film. Charlotte Rampling is boiling with rage and going, "I can do it worse. I'm badder, and dirtier than you will ever be, and you'll never break me." And I just love that.
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