English film director, film producer, film editor and screenwriter (1935-2013)
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So when I'm directing now, you see, I'm thinking of myself, I'm projecting myself in five weeks' time, sitting in a little room with two assistants, saying, "I now need a piece of film when Mr. Caine does this, or Mr. Moore does that." And if I haven't got it, I say, "Damn it, I should have gotten that." So all the time I'm imagining myself in that little X-time hence which is why I can shoot a very complicated pattern without any pre-planning.
Because I'm two people. I'm Arnold Crust, the editor, and I'm Michael Winner, the director.
But when you look at the rubbish who are getting these awards and the absolute non-service they have given to the nation other than financing or working for political parties, you say, "What company am I in?"
At least if you go straight to the House of Lords you can wear fancy dress and have a giggle.
[From the section entitled "Winner Talking" in a personal booklet] Lunacy is a very important quality for a successful director. Most top directors are quite a bit batty. That's what makes them great. They can conceive fantasies beyond the normal mind. Another quality is just keeping alive. It is quite remarkable that no director has been murdered in cold blood on the set.
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