Top 15 Michael Winner Quotes

I think if I had my life again I would not be so utterly self-satisfied. (2004)

Money has no value unless it is spent. (undated)

So this is it: goodbye. I’ve been writing this column for nearly 20 years and I don’t want a carriage clock or a gold watch. I am trying to get rid of stuff, not collect it.

[Marlon] Brando was my best friend, [Robert] Mitchum, Burt Lancaster, even though he tried to kill me three times.

If you’re dead, you're dead, so who cares.

[On the Swiss Dignitas assisted dying clinic] It's not a walk-in death. You don't just go in and say, "Here I am, do your worst". You have to go through a whole series of papers and re-examinations just to die. You have to fill in forms and things and go have to fly there, go back twice.

I ALWAYS LIKED MR STALIN

I don't want to do something for the sake of it. I am prepared to wait. If I wait until I am buried, too bad.

But when you look at the rubbish who are getting these awards and the absolute non-service they have given to the nation other than financing or working for political parties, you say, "What company am I in?"
At least if you go straight to the House of Lords you can wear fancy dress and have a giggle.

I really don't care if I get anything or not. [...] I'm very glad that they recognise my considerable skills as a toilet cleaner.

An OBE is what you get if you clean the toilets well at King's Cross station.

[On his mother, Helen] Nice, little, white-haired lady. She was a killer. If she decided she wasn't happy about something, she was acid.

If I could go back, I would spend much more, earlier. No question. This sounds absolutely crass, but I would have taken private planes earlier, would have had a chauffeur and better cars earlier, I'd have bought better paintings earlier.

I think the lesbians have come over with considerable dignity and you have come over as an arsehole.

So when I'm directing now, you see, I'm thinking of myself, I'm projecting myself in five weeks' time, sitting in a little room with two assistants, saying, "I now need a piece of film when Mr. Caine does this, or Mr. Moore does that." And if I haven't got it, I say, "Damn it, I should have gotten that." So all the time I'm imagining myself in that little X-time hence which is why I can shoot a very complicated pattern without any pre-planning.
Because I'm two people. I'm Arnold Crust, the editor, and I'm Michael Winner, the director.