Before writing “Boxer” I could do nothing but sing of his fragility and solitude; of the weight of his dramatic life and the tragic sense of death, o… - Gabriele Tinti

The intense melancholy of Herakles by Skopas, the sunken eyes beneath the arched eyebrows, those pathetic eyes turned toward the sky, led me to imagine Hercules in the crucial moment when he found himself faced with death. It is in that moment that he takes onto his shoulders all the suffering of the world, freeing it.

I have always taken the side of the scapegoat (…) I believe that #MeToo is becoming a violent witch hunt. Spacey, like others, has the right to the presumption of innocence and I cannot in any way support the preventative exclusion and annihilation of a man, woman or work,”

Boxing is a space in which our repressed feelings, our fears and our identity anxieties all converge. Boxing resolves everything in the sense of death. It manages to do so because it is a primal display; a manifestation of an unrepeatable existential experience, a ‘true’ reality; the revelation of an internal world in which not only the body (with all its suffering) and the flesh are on the line, but also the intellect, the spirit and so-called ‘culture.’ It is a cruel spectacle made of pain and love, of the unpredictable and the serious, of boredom and great emotions.